Once again we are getting major work done in the basement. This is the third or fourth time. This time it is to mitigate our radon problem. Lots of drilling and banging is going on, and the basement will have a very different look when the work is completed later on today. I needn't add that, like the previous projects which solved our dampness issue and then our asbestos issue, this one is also very expensive. How expensive? About the cost of a trip to Europe from Canada for two for ten days. Not to worry, as we print our own currency (in the attic).
It appears that Spring has finally arrived, though due to a lot of cloudy days and nights my astronomy year has yet to begin. I missed out completely on winter constellations this year. Now that daylight savings time has arrived it means very late nights once I do get a clear night. Spring is the time of year when Earth is turned away from the Milky Way, meaning that astronomers don't have to look past our own dust and heavy star fields to see into deeper space. That means it is prime time to view other galaxies, and a 12" telescope will show a lot of them. Until then I'll continue to stare at my sky maps and prep sheets. Full moon is Wednesday, so by next Sunday I should be able to begin, clouds permitting.
In film news there are three to report. We watched two more films by French director Jean Rollin.
Lost In New York is from 1989 and was made for TV. Two little girls, one about 4 and the other around 10, meet in a cemetery and become friends. The young one possesses an African fetish figure, which she calls The Moon Goddess. They look through illustrated books and adventure magazines and transport themselves to exotic locations. As adults they arrive in New York, but in different locations and spend a lot of time searching for one another. The highlight of the film is the location footage of the city from that era. In old age the girls are once more separated, but manage to link up for one final adventure. This is a film very different from earlier Rollin efforts, and its enigmatic story and deliberate pace make it quite enjoyable. The bonds of friendship can run very deep, he seems to say, but are always in danger of being tampered with. Recommended.
Jean Rollin's vampire films are, for the most part, watchable by fans of the genre. However, he left vampires behind in his 1978 The Grapes of Death, turning his attention to zombies. He should have stayed with vampires. A young woman returning to her French village discovers a plague of murderous peasants with very bad skin problems. She makes more bad decisions during this film than is statistical possible. After 30 or so of these the film tends to lose its credibility quite rapidly. Violence and gore and blood abound, as well as totally senseless killing. The whole thing was brought about by a regional use of an experimental pesticide on the grapes, and at the local wine festival anyone who drank wine catches the disease, a bad one to be sure. Only two beer drinkers remain unaffected, but, alas, they die, too. A movie with no point to make, and only a very poor way of not making it. Avoid.
Lastly comes one from our "Chilling Classics" DVD collection. The Devil's Hand is from 1962 and is a b & w modern age zombie film of the Vudou kind. I have always had a soft spot for voodoo movies, especially several great ones from the 1930s. Starring Robert Alda and Commissioner Gordon (Neil Hamilton from the TV Batman series), this one is watchable but not one of the great films in this genre. A doll maker is the head of a small religious cult who meet in the back of his shop. Alda plays a man engaged to be married who is lured into the cult by a bewitching blonde witch, a stellar member of the cult. When a pin is stuck into a doll of his fiancee, she is hospitalized with a heart problem. The main problem with the film is casting wooden man Hamilton as the very uncharismatic leader of the cult. He acts like he is in a Republic serial instead of a decently scripted film. A highlight of the film is that the cult is multinational and multiracial. There are some creepy scenes, but not enough. Very little explaining is given as to how this power became acquired by the great man. For instance, he can beat the stock market, though he still chooses to run a tiny doll store. He simply can stick a pin into a doll and injure or kill that person. How? We will never know.
Mapman Mike







































