Sunday 30 May 2021

Astronomy Season Again

 In Spring, the moon comes up quite late soon after full moon, enabling the new observing sessions to begin.  4 days after full moon I was out there.  We were at the very end of a cold spell, and I was in my winter gear having a great time.  The greenhouse lights from nearby Leamington were nowhere to be seen.  My sky was priceless, and filled with galaxies to observe.  This time of year I was able to start deep sky observing at 10:25 pm.  The moon finally rose around 1 am, when I finally packed it in after a fun and successful night.  I may not be able to get to an art gallery yet, but the night sky offers just as much, if not more.  It will be clear again tonight, but I might have to pass.  With less than six hours sleep, I am not functioning well at all today.  Hopefully more clear nights will arrive soon.

Deb had a reaction to her 2nd Moderna vaccine, spending yesterday in bed with flu-like symptoms, mostly aches and pains, and extreme tiredness.  It was similar to our reactions to the Shingrix vaccine.  She is back to normal today.  As to my 2nd Pfizer shot, I only had the usual very sore arm for a day and a night.  In less than two weeks, we will both be considered fully vaccinated.  

I'm still reading from my May book list, so I will wait until at least June 1st before writing up my monthly reading summary.  But before talking about recently watched movies, here is another work of art from the DIA's collection.  Last time I showed a drawing by a French artist more famous for his etchings.  So today, I will show one of his etchings.  The Old Quarter of Vitre is from 1879, and is like stepping back in time for a glimpse of something precious and fleeting, a moment captured forever not by a photograph, but by a careful, labour intensive etching.  There are no wasted lines, and the image shows us city life of another age, and just possibly another planet, with its tall buildings emanating the skyscrapers of tomorrow.  I love images such as this one, that offer up a wealth of detail and yet maintain an overall sense of proportion, balance, and artistic integrity.

Un vieux quartier de Vitre, 1879. Maxime Lalanne, French (1827-1886). Etchng printed in black ink on Japan paper mounted on paperboard; 8" x 11".  Collection Detroit Institute of Arts.

Detail of left half.

Detail of right half.  
 
In cinema viewing, my going away film was a 36 minute black and white short film from 1982 called Illusions.  Directed by Julie Dash, it's a quick look inside a Hollywood studio office during WW 2.  A young black singer is called in to sing a song that a white woman in the film appears to sing.  She has to sing to the actress's mouthing, which is more difficult than the other way around.  She does a perfect job, and everyone is happy.  Ironically, the real singing of the song is by Ella Fitzgerald.  We gradually find out that the woman in charge of the details of the production office is a light skinned black woman.  An interesting and well paced look into minority starved Hollywood during the war.  The young black female singer is a wonderful actress, full of the energy and strong optimism of youth on the march for fame.  We all know how that will turn out.
 
Showing through May on Criterion.
 
It's Deb's end of month film festival, and she has chosen Japanese Noir as her theme.  There are three films chosen, plus her leaving May 31st choice.  So far we have watched one of the Noir pictures, and are currently viewing her leaving choice, hoping to finish it before it leaves (tomorrow).  The Noir is called I Am Waiting, from 1957 and directed by Koreyoshi Kurahara.  A young restaurant owner, a former boxer black listed for killing a man in a bar fight, waits to hear word from his brother, who is off to Brazil to buy land and then send for him.  He can't wait to leave post war Japan, but he never hears from his brother, and his own letters to him are returned to sender.  At the same time, while taking a late night walk after closing up his eatery, he stops a young girl from jumping into the water.  He brings her back to his place, puts her up, and puts her to work as a waitress.  She is mixed up with gamblers and petty thieves, and soon he is just as involved as she is.  The b & w photography in this unusual and haunting film, along with the decrepit docklands setting of much of the action, is superb. The acting is pretty solid, and while the story occasionally wanders a bit too far from the path, it is a good one overall.  Like the men in American Noir films, the hero of this one is a one man army, taking on the underworld all by himself.  A good beginning to this month's film festival.

An interior shot from I Am Waiting, 1957.
 
I Am Waiting, a Japanese Noir film from 1957, is now showing on Criterion. 
 
Mapman Mike


 



Thursday 27 May 2021

Full Moon

 No more indoor wood fires this season, though Friday is supposed to be very chilly and wet.  We celebrated the full moon on Wednesday, though it was a very busy day.  At 11 am Deb had a teleconference with support staff regarding her mom's status.  At 12:15 I had an appointment in Aburg for my 2nd Pfizer vaccination, exactly 7 weeks after my first one.  I didn't actually get the shot until 1:15, but I got it.  Deb goes tomorrow to Windsor for her 2nd Moderna. Then at 2 pm she had a Zoom meeting with a lawyer regarding the closing sale of her mom's condo in Lindsay.  Finally, around 4 pm, the big lunar event got started.

The previous night was a lunar eclipse, partially visible from here if it hadn't been 100% overcast.  At 4 pm Wednesday we headed outside to roast coffee, our first outdoor roast of the season.  We usually roast inside during cold weather, in the fireplace.  A fresh batch of Costa Rican coffee will be ready to drink in just a few days.  Tuesday evening we prepared a tofu "cheescake", more like a cream pie, actually.  Chocolate/coffee/peanut butter supreme!  It was (is) absolutely death defyingly delicious!  There was Daiya pizza for dinner, and our opera of choice this time around was La Vida Breva, by Manuel de Falla.  It is a short opera (3 LP sides).  Side 4, which we also listened to, was a series of songs by Granados.  A good time was had by all.

In movie news, Deb's main choice last weekend was a 1937 screwball comedy written by Preston Sturges called Easy Living.  There are certainly better examples of this genre out there, but it has its moments.  Ray Milland gives a good performance, and Jean Arthur is simply Jean Arthur, take her or leave her.

Now showing on Criterion. 

My main choice was a 1975 film called Manila In The Claws of Light, about two young country people, a man and a woman, drawn to Manila to seek their fortune, like moths to a flame.  One of Scorcese's perfectly restored World Cinema Project films, it is quite an amazing feature, as it follows the young man, beautifully underplayed by newcomer Rafael Aranda Roco, Jr., searching for his girlfriend in the big, bad city.  There is so much to like about this film, especially the camaraderie among the construction workers, as well as the acting, street scenes, and taboo subjects, such as showing a call boy house in action.  We haven't come across a bad film in Scorcese's series yet.  Most, like this one, have been extraordinarily good.

Now showing on Criterion.  

And now it's time again to look at an artwork from the collection of the Detroit Institute of Arts.  Someday I will get back there to see art in person.  Someday.  You'll see.

Maxime Lalanne (1827-86) was a French artist known for his etchings, of which the DIA has an outstanding collection.  I have chosen a pencil sketch on off-white paper today, as it really struck me how much can be said with so little.  Most of this small drawing is empty space, and yet it seems to say so much.

Click for a larger image.  Diva, by Maxime Lalanne. 9 1/2" x 16".
 
Detail of left side.
 

Coming soon--May reading summary.

Mapman Mike
 
 
 
 

 


 


Saturday 22 May 2021

Heatwave

 We are having a week of heat more suited to late June or anytime in July.  And though storms are nearby, it's been extremely dry for the past two weeks.  We are in need of rain, badly.  Lots of it.  In hot water news, our tank was installed last Tuesday.  After waiting five days to shower, it sure felt good.  And the seasonal war of weeds versus us is in full swing.  We are holding our own, but in this heat they will undoubtedly win again.  Our flowering trees and shrubs are having a banner year; it must have been a perfect Spring for them.  Our house is surrounded by flowering things of many varieties.

Some good news for Deb and I on the vaccine front.  Next week we are scheduled to receive our 2nd dose of Covid vaccines.  Woo hoo!  Because we are considered care givers for Deb's mom in LTC, we are eligible.  My interval between shots will be exactly 7 weeks; Deb's will only be two days longer.  Considering that only 50% of Canadians have received the first shot, we are fortunate indeed!  Not that we'll be booking any holidays in Brazil or India, but it will open up a few options for us, at least.

In movie news, Deb chose a German film as her going away choice last weekend.  Goodbye, Lenin is from 2003, and directed by Wolfgang Becker.  Though it strains credulity to the extreme, it is an engaging film thanks to some good acting.  Set in East Berlin just before reunification, a mother and solid party member is in a coma for 8 months during the startling events of 1989.  When she awakens, the doctor warns the family than any kind of emotional shock could kill her.  Her teenage son decides to hide the truth from her about reunification, going to extreme and farcical methods to hide the truth from her.  There are some hilarious scenes, and some which are very moving.  A pretty solid film.

Showing on Criterion until May 31st. 

My main film choice last week was another viewing of Kurosawa's Ran, his version of King Lear.  It is an astounding film of greed, stupidity, treachery, and human fallibility, with outstanding performances by all, wonderful location photography, intense battle scenes, and costumes to die for.  One of his best films, and certainly one of Shakespeare's best plays, too.  Oddly, this film is not contained in our 25 movie set of Kurosawa's films, nor is it showing of Criterion.  We watched it on Prime, of all places.

Now showing on Prime. 

This is a long weekend holiday in Canada, as we celebrate (seriously) Queen Victoria's birthday.  It is also the kickoff of our viewing of M*A*S*H, and the sipping of gin martinis, traditional held on Friday at 5 pm, and continuing on until Autumnal Equinox.  Believe it or not, this is the 20th year of this homespun tradition.  We watch half a season per year, and then reruns as necessary, and we are now halfway through Season 10.  However, this year we did things a bit differently.  Instead of watching the TV series, we watched the Robert Altman movie.  While it is quite difficult to get past the overt sexism of the time, and sometimes one shudders as one laughs, it still is a brilliant film, though probably seriously in need of a remake.  From 1970, it was filmed during the Vietnam War, and has more to say about 1970 then it does about the Korean conflict.  The film is showing for one month only on Criterion, so I chose it as my going away feature of the week.  Of course not only does the film demean women (but only really the true army ones), it also takes a comical poke at suicide.  Definitely a product of its time, it would be amusing to sit through this with an audience of today's younger adults, watching the effect it has.

Showing in May on Criterion. 

Mapman Mike


 


Monday 17 May 2021

Summer Temperatures

 It is going to get very warm later in the week, with temperatures usually seen in July.  It's time to install the upstairs air conditioner, and test the main system.  Hopefully it will switch on, but if it doesn't, it's best to find out now.  In other news, we had our windows washed today, along with the cleaning of the eave troughs.  And we are well into our fourth day with no hot water, other than that boiled in a kettle.  At least we can wash our hair properly, but bathing has been limited to rough camping style, a la wet wipes.  Tomorrow, hopefully, the new tank will be installed.

Not much in the way of other news at the moment.  Piano practice, reading, and movie watching continue to occupy our time.  The May astronomy session has ended, and I made it outdoors twice.  My search for dark skies takes me quite far from home.  It was different when we had two vehicles.  With Deb visiting her mom 3x each week now, the gasoline fuel usage has shot way up for April and May.  We never used to buy gas in Ontario, preferring to fill up in Detroit instead.  Those days are still gone, so we pay the price for living in Canada.  Gas is about 40% cheaper in Detroit than Windsor, mostly due to taxes and our lousy dollar.

In movie news, my going away choice for last week was called The Damned, an eye-popping film from Visconti about the rise of the Nazis in Germany in 1933.  The story follows the (mis) fortunes of an industrial family as the politics around them continues to change radically.  The film goes way over the top, yet doesn't show anything that didn't happen at the time.  There is sex, including incest between mother and son, pedophilia x 2, a drunken debauched homosexual orgy (followed by a massacre of them by the Nazis).  There is killing, backstabbing, suicides (x3, including a six year girl victim of sex abuse)--in short, everything one needs to make a great film.  Or not.  I believe that the title tells it all.  We are in Hell, witnessing the events that put all these people there in the first place.  The opening shot, with steam, smoke, and lots of red colour, gives it all away (as does the title of the movie).  Weird, disturbing, shocking, and even quite distasteful, the movie is a must see event.  Cut down to 2 1/2 hours from its original 4 hours, one can only gasp at the thought of a longer version, though it would explain some of the abrupt shifts in the story.  Sets, costumes, camera work, and lighting are all top knotch.  No German would have ever made this 1969 film about Germany.  It took an Italian, with an international cast, to pull it off.  It amazes me to think that people salivate over the politics in stories like Game of Thrones.  Reality, folks, is much stranger and more fascinating than fiction.  And much, much sicker.

Showing on Criterion till May 31st.  Be warned. 

Deb's first weekend movie choice was Dance Girl, Dance, from 1940 and starring Maureen O'Hara and Lucille Ball.  It's a solid film about two dancers, one destined to be a showgirl (Ball), and the other to be a serious dancer (O'Hara).  In the film's highlight, O'Hara gets to stand in front of an audience of rowdy men in a burlesque hall and shame them for their behaviour and attitude towards women.  Score!  O'Hara is gorgeous, and her character and that of Bubbles (Ball) make a perfect contrast, keeping the film lively and fun throughout.Now showing on Criterion. 

Mapman Mike


 

Thursday 13 May 2021

Clear Slies and Galaxies

 I have no idea exactly how many galaxies I have seen, though from time to time I do total my list, which exceeds two thousand.  That's a lot of galaxies, but a mere drop in the bucket as to what can be seen from dark skies.  Last night I logged another dozen or so, including Messier 87, an impressive bit of distant light if ever there was.  I began to be interested in astronomy in November 1968, one month before Apollo 8 would circle the moon with three astronauts and return safely to Earth.  In July 1969 astronauts first landed safely and walked on the moon.  So it can be said that my life as an amateur astronomer has the Apollo program to thank for it.  Newcomers are always astounded when they have their first look at the moon through a telescope.  It is the ideal place to begin the hobby, even with a pair of binoculars, as I did as a teenager.  Of course as time goes on and interest deepens, the moon becomes a bit of a curse, as its light drowns out the fainter, more elusive targets one can see with a telescope.

My first telescope was a plastic model of the Hale 100" telescope, with a mirror of just under 3".  It was in bad shape when I got my hands on it, and its tiny plastic eyepiece confirmed it as a toy, not a scientific instrument.  But it worked, and I got closer to the moon then I ever thought possible.  In 1971, with my interest growing, my parents bought me a Tasco 4.5" reflector.  It was like getting a full drum set, only much quieter.  I was in heaven (literally and emotionally), and my observing became a clear night event, though not during Sudbury's merciless winters.

Somehow during university we managed to scrape together funds for an 8" reflector.  This has larger eyepieces, making observing much easier on the eyes during extended sessions, and gathered 4x the light of my previous scope.  I was now in the big leagues, part of the dream team of amateur astronomers.  During university years, and then teaching years, astronomy became mostly a summer thing, as it involves staying up quite late.  Over the years I hauled the scope to school and gave several classes of students and their parents glimpses of some of the sky's major sights, such as the moon, Jupiter, Saturn, and some of the brighter deep sky objects.

I finally upgraded again in 2013, purchasing as 12" reflector that fits neatly into our vehicle and can be set up in about ten minutes in a dark sky site.  I've had to travel farther and farther to reach dark skies, and someday soon I hope to live somewhere I can see a dark sky from my back yard.  At that point I would likely move up to an even bigger scope, such as an 18".  Among astronomers this is called aperture fever, and is quite common.  No cure has ever been found.

Anyway, last night I had a most enjoyable observing session, my first for this month.  With luck the weather will hold and I will get one more chance on Friday. 

In movie news, I am behind again on my reporting.   After my Czech festival, I got to have my 2 normal weekly choices.  I chose another Zatoichi movie, #19, called Samaritan Zatoichi.  He helps those less fortunate and kills a bunch of bad guys.  One would have hoped that by now a new kind of story might have been chosen, but no, it's more of the same.  Like that Peanuts cartoon when Lucy holds the football for Charlie Brown to kick.  Hope springs eternal, but all for naught.
 
Now showing on Criterion. 
 
I followed up with a very short film directed by Preston Sturges, a comedy from 1940 called Christmas In July.  A man is tricked into thinking he has won a coffee slogan contest, and the prize of $25,000.  The trick is so convincing that even the company president is fooled, and hands over the check.  Fun times ensue as (of course) a major spending spree ensues. 

Showing until May 31st on Criterion. 
 
Deb choose a film by Canadian wacko man Guy Maddin.  The Green Fog is an hommage to all of the films set in San Francisco, and there are a whole lot of them.  He takes clips from the films, often removing the sound and replaying tiny snippets many times over, and attempts to fashion a short feature (61 minutes) from it.  Fun to watch at first, I quickly grew tired.  Perhaps as a 20 minute film short it might have been more successful.  Even as a film and TV buff, recognizing most of the characters and many of the films, I still lost interest after a time.  No real attempt was made to fashion a story from the clips, and my mind had really nothing to grab hold of, except image after image.  The added music is quite good.  I class it as a very interesting, though failed, experiment.  What younger viewers would think of it, who have not been exposed to classic films, I know not.
 
Now showing on Criterion.
 

Deb's going away choice has to be one of the best films ever made.  The 1970 The Railway Children is about the most perfect film for children ever made, and eminently rewatchable countless times.  I have seen it at least three times now, and enjoy it more each time.  Jenny Agutter was brilliantly directed by Lionel Jeffries, giving a tour de force performance as the oldest child of three, having to cope while their father is wrongfully imprisoned.  Her acting is understated and restrained, but her emotions come through perfectly.  Superb acting by the mother, too, and the other two children, and Bernard Cribbins, as the station porter.  A truly enchanting film, and highly recommended.  The pace of the film certainly harkens back to a different era of movie making, as well as the subject matter.
 
Showing on Criterion until May 31st.  
 
Lastly, on to this week's main pic for yours truly.  We watched Irma Vep (1996), a bizarre French film about French film.  It stars Maggie Cheung as a Hong Kong actress playing the role of a latex-suited vampire, supposedly a remake of an early silent film.  The film is in French, but as Maggie doesn't speak it, there is also a lot of English.  Although the film purports to be about a lot of things, with some random film conversation thrown in the mix, I think it is mostly about a film director wanting to see Maggie wearing the latex suit.  She does look rather sexy in it, I must admit.  Though we do get a sense of behind the scenes sniping, the overall lack of good organization in making a French film, and the fact that French film actors are not treated as stars, the camera is on Maggie so much that it turns out to be a film mostly about her and her good looks.  Not a bad film by any means, but not a great one, either.
 
Now showing on Criterion.
 
This Mapman Mike signing off for now.

 

 

 

Thursday 6 May 2021

Czech New Wave

 My film festival choices for this month centered around films from the 1960s from then Czechoslovakia.  Many of these films spent time with ordinary people and their daily struggles, as opposed to films that more or less toed the party line, making things seem just a bit more wonderful than they actually were.  Inspired by post war Italian movies, several brave directors unleashed more truth about their country in just a few years than in the previous decades.  Some are hard to view because of the subject matter.  In addition to breaking new ground politically and socially, these films were also firmly entrenched in avant garde film techniques, such as long dolly shots, flashbacks, multiple solutions to a problem, making it difficult to find out exactly what is going on.  They are mostly b & w films.  Criterion currently has 34 of them on view.

There is a 7 minute short intro to the series, which we watched first, followed by three shorter films ,and then three features.  So begins our journey into early Czech film.  The three shorts were called Uncle, a 6 minute film from 1959 that hilariously shows a rather unproductive robbery attempt by a male burglar; Footprints, from 1960, and The Hall of Lost Footsteps, also from 1960.  The last two are 12 minutes long, and becoming increasingly complex.

The first feature was called Something Different, from 1963 and directed by Vera Chytilova, one of the very few Czech female directors at the time.  It tells the story of two very different women, one a stay at home mom trying to deal with the boredom and frustration of raising a very active little boy, with a husband who has drifted away from her.  The other woman is a top gymnast (played by gold medal winner Eva Bosakova) who is aging and tiring of her incessant, brutal training regime.  These are not happy little communists going about their happy days, but very real and very mixed up women, trying to deal the hand that has been dealt them.  I liked this film a lot.

Something Different, a Czech film from 1963.  Showing on Criterion. 
 
Next was Courage For Every Day, from 1964 and directed by Evald Schorm.  A factory worker who puts his heart and soul into communist party politics, is eventually disillusioned and becomes a lost soul as the movie progresses.  His moodiness and temperament lead to the loss of his fun loving girlfriend, who can't comprehend his descent into self pity and helplessness.  We are getting hard looks at the real state of things, not the state sponsored view of how things should be.  These little films (all under 90 minutes) were undoubtedly shocking in their time and place, no doubt sparking endless discussion and individual soul searching.  Scenes of the grim factory and the even grimmer town life are unforgettable.
 
Courage for Every Day, 1964.  Showing on Criterion.
 
Lastly came the most inventive of the films so far, Diamonds of the Night, from 1964 and directed by Jan Nemic.  The film tells the story of two boys escaping German custody during WW 2 by leaping from a train and going on the run.  They have one pair of shoes between them, and no food or water.  The film opens with the longest dolly shot in Czech film history, and one that took up nearly half the budget of the film, as the two boys race up a clear-cut hill, as guards fire at them from down below.  The story is told not only in flashback, but also in fantasy flashback and fantasy possible outcomes in various present situations.  For example, starving, one of the boys goes to a farmhouse and encounters the wife.  He imagines himself having to kill her several times, and even having sex with her on a bed.  What actually happens is that she gives him bread and milk, and as they leave she puts on her kerchief to report them.  While not a fun film to watch, it is highly innovative in its way of telling a simple story.  You will never forget the old timer German posse that eventually captures them, nor their celebration afterwards at their daring deed.

Now showing on Criterion, one of 34 Czech New Wave films on demand. 

 The spring of 2021 will always be known around here as the Lilac Spring.  We have two lilac bushes in the middle back yard, planted by us when we moved here more than 30 years ago.  One produces white flowers, the other lilac colour.  they smell heavenly.  usually one looms well one year, and the next year the other takes a turn.  But this year was different.  they both bloomed, and far beyond what they normally produce.  It was the best lilac showing ever, though the photos don't quite capture the magic in the same way as really seeing them.  Also, our lawn has spawned a fine floral bouquet, too.

One side of our white lilac bush.

Our purple lilac bush.

Tiny little yellow flowers (cinque foiles) have sprouted on one part of our lawn, looking like a mini-fairy garden.

In local news, Deb's mom is now finished with her 14 day quarantine, and can come out of her room.  Deb still needs to wear a mask and face shield when she visits, but not the gown.  And she will begin visiting every other day now, instead of every day.

Back soon with more fascinating details of life at Lone Mtn. Homestead.

Mapman Mike

 

 

Sunday 2 May 2021

April Books Read

 North America is a vast continent, and crossing less than half of it in four days is much too quick, especially in the US.  Road trips are a thing in our part of the world, a big thing.  I have driven west 9 times, and back home 8 times.  No, I am not still out west as I write this (I wish I was), but one time I drove west with my brother, then flew home.  I miss the road trip, and hope we can do one late this year or early next year, towards Albuquerque or Denver.

Because of web site instability years ago, many of my photos are no longer on line.  So I have set up a new blog, which I will attempt to update on a monthly basis, briefly outlining our past road trips.  Here is a link to that blog.  A permanent link can also be found in the upper right hand margin of this blog.

In April I managed to read 11 books, including one from beyond the Avon/Equinox project.  I have a small stack of books in the bedroom next to the digital clock, and I am trying to read through these before embarking on all of the Kindle editions I have purchased (not related to the Avon project).  This month I read the last book I have by P. D. Wodehouse, called A Damsel In Distress.  Wodehouse writes the comic opera versions of Upstairs, Downstairs.  His true gift, aside from being a very funny writer, is how his characters and plot, subplot, and seemingly nonsense antics all fit perfectly together by the end.  Not a wasted word, character, or situation.  Highly recommended.  Since I have no more paperbacks by him to read, I purchased a set of a whole pile of his novels on Kindle, for $.99.  The book was turned into a very bad movie starring Fred Astaire.  Wodehouse, in an intro to this more modern edition, discusses his Hollywood project in detail.  It was the only Astaire movie to lose money.

Beginning with Silverberg, I made it through another iteration of the remaining authors in my Avon/Equinox SF Rediscovery Series project.  I read a novel called Up The Line.  Silverberg is a man of many writing talents.  I first came across him as a youth with one of his archaeology books.  Of course he also writes SF, and history, and for a time he wrote pulp soft core porn as well.  Food must be put on the table, after all.  Now to the present story.  It is a mix of all of the above, as a man who works as a time travel guide for rich tourists takes them back to Byzantine times, just before the fall of Constantinople.  So we get a very rich portrait from the author of these (and a few other) times.  But the hero becomes obsessed and falls in love with one of his ancestors, whom he refers to as his great great great (etc) grandmother.  Silverberg, at least in the 50s and 60s) is one of the more sexist writers I have come across in this project.  Women are there for one thing, which is to please men.  The book is completely spoiled not by sex, but by the author's attitudes to it.  Nearly a complete wast of time.  But I did learn a lot about Constantine and his fall.

Ghost, by Piers Anthony, is a pretty solid SF novel, also about time travel.  His use of time travel is one of the more brilliant ones I have ever come across.  A spaceship essentially stays where it is, but as the galaxy spins, the solar system rotates, and our sun moves through space with its entourage, the ship always ends up in a different place, since it remains stationary.  They eventually become trapped in a ghost galaxy, and must seek to escape.  The final solution is not what one might expect, however.  Sadly, Anthony too often leaves the story behind in his attempt to problem solve, and the final one third of the book is more like sitting in a science class than reading a story.  He has become a bit of a blowhard in his later writing, leaving storytelling behind when it suits him.  His ideas, though, are brilliant.

Next came West of Eden, a long novel by Harrison which became a series for him.  I am not overly fond of cave man type SF, though I have read several goods ones from the authors of the Avon series.  Harrison's twist is this: what would have happened if the giant meteor had not struck the Yucatan?  Answer: there would still be a lot of reptilian life forms out there, competing with humans.  This is not necessarily a dinosaur versus humans story, but the two species do coexist.  The dominant species, though, is reptilian, very intelligent, warlike, and not easily changed from their role over thousands of years.  Humans are still low on the chain, but about to become more than they were, thanks to their reptilian nemesis.  Not a bad story at all, and would make an excellent TV series.

Bulmer's The Insane City was next, a pulp novel at heart, but with that added extra that this writer does so well.  Although the complexity of the story is rather high, Bulmer has a way with telling stories that makes reading easy and fun.  In fact, I read this novel in less than one day, as I was forced to sit on the couch for a long time with a cat recovering from eye surgery (the cat is doing fine).  There are many important themes running through the tale, almost too many to deal with properly.  Robots taking jobs, human lives becoming more ruled by central computers, computer intelligence and their ability to deal with emotions, megalomaniac CEOs wanting to dominate the planet, and even clearing slums and not properly seeing to the needs of the displaced.  Well worth reading, even though not his best writing.

Someone keeps unearthing unpublished manuscripts by Tubb and putting them up on Kindle.  This one is called Destroyer of Worlds, and was first published in 2016.  This is a really good SF novel, something along the lines of a decent Star Trek movie plot.  It could have been written in the late 60s, after Star Trek.  The captain of a starship searching for habitable planets with his crew encounter a galactic menace of startling complexity and intent.  Though warned away by an automatic system put in place, good old Captain Maddox of the ship Ad Astra goes barging ahead away, in a very Captain Kirk-like moment.  He lives to regret doing just that.  Highly recommended!

The Power of Blackness by Jack Williamson is writing quite a large notch below his previous novel, The Moon Children.  4 shorter fiction tales connect the lives of Black Lantern, the hero of the tale, and his beloved female, Snowfire.  The story opens on a planet colonized thousands of years ago, likely by an all black colony.  The planet is hot, rich in certain minerals, and has a ritualized civilization that is not keeping up with the times.  Some of the stories of pretty good; the last one is the weakest.  The best thing about this collection, written in the mid-70s, is the personality of Snowfire, and independent sort if there ever was one.  The love interest is well handled, as Black Lantern must overcome his own prejudices of the role of women.  Not Jack's best, but worth a read, with several memorable moments.

I have began The Chronicles of Corum, by Michael Moorcroft, the 2nd trilogy about the wandering, lost hero Corum.  The first short novel of the three is called The Bull and The Spear.  If you are expecting a story that includes a bull and a spear, then you will get your money's worth.  Corum, who lives a very long time unless killed, has outlived his original wife, who dies at 90.  He mopes around his gloomy castle, as Moorcock's fantasy heroes often do when not out saving the planet.  Jerry Cornelius stops by with an assignment for him, if he wants it.  After hooming and hawing for a long time, Corum sets out on his next adventure.  The quest is quite a good read, and Corum meets another woman, too.  I am looking forward to part 2 later this month.

I read 14 more stories by Ballard, whose short fiction continues to astound me.  The Garden of Time, The Cage of Sand, and The Watch-Towers are three superb stories that should be sought out and read (or reread).  Ballard, as one of the blurbs on my copy of his stories says, is a one-man genre.  Virtually everything he wrote is worth reading once; much of it is worth reading twice, and a large portion of that is worth a third reading.  When this massive reading project eventually comes to an end, there will be a summary and accounting of the authors, ranking them overall.  Ballard will at least be in the top three, if not at the very top.

I know that Ballard would have liked reading books by Barry Malzberg.  Malzberg's in depth dive into the human psyche is unparalleled among most writers, and virtually all SF writers.  If Ballard can be a one-man genre, then so can Malzberg.  The latest read is called Destruction of the Temple, from 1972.  It is a mini-lesson in the battle for civil rights in the US in the 1960s, and is obsessed with the Kennedy assassination, as well as that of Malcom X, Martin Luther King, and the white civil rights young men in Mississippi.  Missing from Malzberg's writing here is his dark humour, replaced by a freezing cold irony and stark approach to truth that still gives me shivers when I think about it.  Much of Malzberg's output is required reading, and this novel, though quite difficult at times, is one of those.  It should be read twice, in fact.

Finishing up the month was Blish's The Quincunx of Time, a 1973 expansion of his great short story called Beep.  Though beep really needs no expanding, I'm glad it happened, since it gives me more of this author to read avidly.  Blish, sadly known mostly for his published Star Trek TV plot summaries, is one of the greatest minds to ever approach the subject of SF.  When it is turned loose on a subject as all-encompassing as instantaneous galactic communication, itself giving access to all communications using the new device past, present, and future, then lookout, as you are in for a real treat.  Blish coyly uses some of his earlier novels' plots in this story, too, making his last true novel a pure delight for his fans.  Though highly recommended, and very short, I still push his Cities In Flight to new readers of him first.  Simply the best.

I also read two more hours worth of Volume 2 of The Arabian Nights by Burton.  I'll likely be reading that set until I die, but I do find an innocent sort of joy in reading them.  As a fan of orientalist art, architecture, and literature, I seem to be in my element when reading this stuff.

I'll conclude today with a short film, Deb's weekend choice.  Crumbs is a very curious, fun, easy to look at independent SF film, made by a Spaniard in Ethiopia, with Ethiopian actors. It seems to owe something to Tarkovsky's Stalker, though exactly what that is I cannot say.  Definitely a good catch if you can find it, with some great photography.  Featured in the movie is Santa Claus, a bowling alley, a hovering space ship, a witch, and an antiques dealer.  Great little film, from 2016.

Showing on Criterion until May 31st.  Don't miss this little gem! 

Mapman Mike

 

Saturday 1 May 2021

May Day

With the grass growing an inch per day, it is cutting time once again.  We have a lovely crop of dandelions, and yesterday as we set out for a small adventure, our maple tree had dropped a lot of its flowering buds on the driveway.  It looked just like this:

Our driveway, Beltane Day 2021. We usually take a woodland stroll at this time of year to search for wild flowers.

Our small adventure began with Deb visiting a local bank, sealing her control over her mom's banking.  It took over four weeks to get everything straight, but now she can pay her mom's bills etc. in a much easier fashion.  Next we moved along to Harrow, a nearby farming town, which has a store with excellent bird seed choices.  I am stocked up now for two weeks.  We feed everything from ducks to sparrows, with jays, cardinals, redwing blackbirds, pigeons, grackles, and even goldfinches.

Next I dropped Deb off at the long term care facility, where she would visit her mom for two hours.  That is in Kingsville, which happens to have a lovely public park not far from downtown, on beautiful Lake Erie.  I spent much of the time there, reading in the car on a bluff overlooking the lake and wandering the lake shore and garden pathways of the park.  Here are some photos I took on Friday afternoon.

View of Lake Erie, looking southwest from Lakeside Park, Kingsville. 

Wrap around tree trunk, Kingsville.

The park has a small beach.

More sand.  I love the contrast between the top and bottom sections.

More fun with tree trunks!

A beautiful little stream winds through the park in Kingsville, joining Lake Erie on its long journey to the Atlantic coast.

Same location as previous photo, now looking upstream. 

I picked up Deb at 2 pm, and we drove to a segment of the county-wide hike and bike trail, to search the woods for wildflowers.  We saw a lot of the tiny spring beauties, but the forest was too wet to properly enter.  Deb also spotted some honeysuckle and a wild geranium, along with a few jack-in-the-pulpits.  But alas, it was not a very good expedition compared to other years.  We do know a few hot spots where we can see many species, but have not yet been there.  Soon, I hope.  Once the forest canopy grows in, the flowers disappear.

We had a quiet Beltane celebration at home.  A wood fire, music supplied by Brian Eno, Beethoven, and Rameau, and some movie watching.  Speaking of which....

My two choices for last week include another Fassbinder film, and another early one starring Marlene Dietrich.  Both films share a similar theme; women who cannot think properly where men in their lives are concerned.  In Fassbinder's Martha, a tragic heroine if there ever was one is bullied and dominated by her new sadistic husband, after having been cowed by her father all her life.  One of Fassbinder's Douglas Sirk influenced films, Martha is just as despicable as her controlling husband.  Her complete and utter helplessness is well shown in one scene in particular, where she tries to run away from home in long, very tight skirt.  She runs as fast as she can, falling down, getting up and continuing on.  Her husband, watching from the open door, does not even bother to chase her, but watches with perplexity as she runs away.  It is a frustrating film to watch, and certainly not a very likeable film.

Now showing on Criterion.

Dietrich, in her 1930 film Morocco, stars with Adolphe Menjou and Gary Cooper in an exotic romantic drama.  Marlene is loved by Menjou, but she loves Cooper, who doesn't love her (much).  No where near as good as the later Shanghai Express, the film is still fun to watch.  Gary Cooper gives an amazing performance, as does Dietrich, and the script is superb, very short and to the point.  No words are wasted.  Worth a look, but it has now left Criterion.

There is an awful lot of marching in this movie.  

Mapman Mike