Sunday 31 July 2022

July Reading Summary

It continues to be warm and extremely dry.  Our area has not had a good rain since June 14th.  Usually August is a very dry month, so I am worried.  The soil is cracked and hard as rock.  We keep a large bowl of water refreshed for the birds and squirrels, and it gets constant use.  I usually set up the bird bath in summer, too, but Avian flu scares have held me back, though I continue to feed the birds.  Rather than have them gather all in one area to feed, I scatter seed in about ten different areas in the front yard.  I have fed birds here for over 30 years now.  Generations of them.  Though I have cut back lately, I hate to stop.

In reading news, besides my 8 books related to Avon/Equinox SF Rediscovery authors, I got through 3 other books, all epic in their own way.  Robert Silverberg always leads off the month, and this time around came Tom O'Bedlam, a post-apocalyptic tale that I awarded 4 stars.  Basing his story around an old folk tale/poem, Silverberg has created some of his deepest characters, and reading this book was fun from start to finish.  There are at least 4 main stories at the beginning, and they all gradually come together by the end.  The overall story is mostly tied to Tom, a wandering man who is considered crazy by those who meet him.  Tom has visions, or dreams, even when wide awake, and these involve clear images of alien worlds and suns, and the aliens that inhabit them.  He is predicting that soon a time will come when people will leave their Earthly bodies behind, travel through the stars to other worlds, and live happily ever after.  It was one of many long books that came up this month (thus the lower number of overall books read), and came out in 1985.  Recommended reading, and a fascinating addition to the post nuclear genre of SF.

Kilobyte is from 1998, and is another formulaic story by Piers anthony.  Many of Anthony's later books seem like they were written by a robot.  Obviously he goes on auto-pilot much of the time.  This is the real tragedy of being a professional writer; if it is your livelihood, you have to write all the time, even when you can't any more.  Anthony's formula for much of his later writing is on full display.  Start on an adventure.  Hit an obstacle.  Go through a complete thought process of the person afflicted, covering every single angle of problem, while standing there.  Figure out the best way to deal with the current problem.  Move on.  Encounter new obstacle.  Repeat complete thought process.  Figure out way to deal with problem.  Move on.  Encounter new obstacle.  Repeat and repeat and repeat and repeat.  There, we've now covered most of the first chapter.  And on it goes.... 

As usual, Harry Harrison comes along and restores my faith in professional writers!  From 1998 comes Stars and Stripes Forever, a fascinating 345 page novel about a possible different outcome of the American Civil War.  Harrison, one of the best writers of SF and adventure fiction, has outdone himself in this fascinating tale of 1861, with just a few differences to what actually occurred.  Instead of Albert, Queen Victoria's husband, settling a touchy matter between the British and the Americans with diplomacy as happened in actual history, Harrison has him die three weeks earlier than he did, from typhoid fever.  Which means he was not there to calmly settle a dispute between England and America.  With hotter heads now in charge of the British Empire, they declare war on a ravished America, and promptly invade America both from Canada and from the south, in Mississippi.  This is amidst the Civil War, and just after the battle of Shiloh, where over 20,000 Americans killed one another.  The British come out stinking in this historical fantasy, so it may not be read through completely by blue blood British conservatives.  However, the rest of us have a jolly good time reading this wonderful and detailed look at a possible American history.  Part one of a three book series, I imagine the British will get some revenge in book 2!  Highly recommended!!

Treasure is the 5th Fox novel by Kenneth Bulmer.  The irascible Mr Fox is back in another series of adventures.  In the last book he had just lost his temporary command, as well as his hopes to become a captain in the British navy.  He is stuck at 1st lieutenant, and going nowhere else.  He is back on board the Raccoon, with many of his mates still with him. but the new captain has also brought along many of his own men.  When the Raccoon is wrecked in a storm, Fox goes off in pursuit of a secret treasure!  From 1973, the adventure is 139 pages long.  I am truly enjoying these short novels of a poor man with no title trying to make his way up in rank in the early 19thC British navy.  What a premise!  Great stuff!

Next came a collection of short stories by E C Tubb, under the overall title The Wonderful Day, which was a short story written for the collection in 2012.  But the better stories come from the 1950s and 1960s.  The best of the bunch is called "The Tea Party."  From 1953, at only 9 pages long it has become for me the most devastating account of war I have ever read.  A must to read.  Also of note are "An Era Ends," about the end of religion on Earth, and "Decision," about a doctor's decision on who to save, and who to let die.

From 2005 comes Jack Williamson's last novel, The Stonehenge Gate.  It is also one of his very best!  The book seems to summarize his output as a SF writer, and makes a fitting capstone to an incredible career lasting until the age of 96, when this book was published.  Not only does the story recall many of Jack's other tales, going all the way back to the early pulp stories, but we can read here all of the writers who influenced him.  Edgar Rice Burroughs, H Rider Haggard, A Merritt, Olaf Stapledon, and many others can all be found in this final epic of his fabulous creative output, along with Jack himself from early days.  There is even a good dose of Philip Jose Farmer, especially his World of Tiers series.  Highly recommended!

Michael Moorcock's 2nd Oswald Bastable book came next, The Land Leviathan, from 1974.  The author's multiverse ideas are in full swing in this series about a British soldier from the early 1900s that is not only transported to different times, but also to alternate versions of Earth.  In this story, a plague kills much of the white race, and Bastable joins an all Black militia to help them conquer America and bring racial balance and justice to that land.  Many of these books by Moorcock bring to mind the best pulp writing of Edgar Rice Burroughs.  Though this book is short, a lot happens!  A fun series.

Lastly came Barry Malzberg's The Remaking of Sigmund Freud. Written between 1979-1984, and published in 1985, this 275 page novel will make you think about Sigmund Freud in a whole new way.  A most unusual addition to Malzberg's SF oeuvre, in this one we do go to outer space, and even meet aliens.  Aliens that need psycho-analysis.  From the reconstituted man himself.  Malzberg must have had some fun with this one, even though it took him years to complete.  I'm so glad he stuck with it.  It was not a novel I sat and read through in one or two sittings.  I took my time.  Each chapter has its rewards, and the book should not be rushed.  One of his best!  And it wins best cover of the month!

Cover of the month by Barclay Shaw. 

The World's Great Railway Journeys, by Brian Solomon, is a coffee table book that was a gift from Jenn G, who works at a bookstore in Cambridge (Ontario).  The book lived on our coffee table as I undertook each journey in its colourful pages, reading it over a period of about three months.  I would read one journey at a time, and often do more research on the internet afterwards.  Deb and I have only managed two of them; the Santa Fe Chief between Chicago and LA (and back), and the train from Madrid to Barcelona (and back).  I finished the book this month, and passed it on to my father in Sudbury.

A Plague of Angels was a 560 page SF/fantasy novel by Sherry Tepper, loosely related to her much more poorly written The Waters Rising.  While still heavily influenced by Tolkien, this is a fairly successful mix of fantasy and SF.  However, much of the book seems to be written with children in mind, while another good portion is for adults.  So is she trying to accomplish too much in one epic?  Appeal to children and adults, and write fantasy and SF?  I think yes.  I would not recommend the book, nor have any inclination to reread it.  But it is now off my shelf, and on its way for trade.  I recently brought a box of books up to Sudbury to trade at Bay Used Books, and received $36 credit.  I bought Name of the Rose in hardcover for my parents, and gave the remaining credit to my dad. 

The final novel for this month was another epic.  It was called Dawn.  From 1884, it was H Rider Haggard's first novel (he was 27 or 28).  At the center of the novel is Angela, a pure white lily of a girl whom we first meet at her birth, which killed her mother.  Her father rejects her, and she leads a lonely existence.  Jump to nine years old, when her education is taken up by the local vicar.  Next she is 20, and about to fall in love.  So essentially this is a love story, but alas, it is a very cruel one.  No one comes out unscathed.  And while Angela is by far the most trusting character in the novel, her lover turns out to be quite a cad.  I have several reasons for disliking him, despite the fact that I am supposed to cheer for him.  So I think Haggard went way overboard in trying not to make him too goody good for his own good.  He obviously does not deserve Angela, and I was quite surprised and more than a bit disappointed by the ending (a most traditional one).  It was fine to read, however, despite the 76 chapters!  There are a few hints at other-worldly doings, even in this first story by the man whose fantasy adventure writing I have admired for much of my reading life, but his 2nd novel promises to jump right in there.  Can't wait!

Mapman Mike


 


 

Thursday 28 July 2022

A Visit To Sudbury

I had to drive almost 470 miles from home to escape the intense heat and dryness of our area.  But it was worth it.  Cool days, with heavy rain on one of them, made the trip more than worthwhile.  Into the bargain I also got to see my family.  Five of them live in a large apartment building which Dad owns.  He and my mother live upstairs, brother Steve and sister-in-law Lynne live on the main floor, and my niece Emma-Lee has her own room in the finished basement.  Everyone seemed well and happy, especially brother Steve, who just retired from his stressful job.  I managed two hilly city walks on my visit, a welcome change from the treadmill.  I also enjoyed a very welcome sauna (160 F!) and a swim in the family salt water pool.  Life is good in the north (in the summer, anyway).

I also got to perform my latest piano program for my parents, thanks to the generosity and friendship of Marion, a former mezzo soprano and voice teacher.  Her late husband John was my piano teacher at Cambrian College, getting me from Gr 5 piano through the professional level in three years!  I played on John's practice grand piano, as a guest of Marion.

 

PIANO RECITAL

July, 2022

Michael Ethier


Prelude #1 in C major (BWV933)

Prelude #2 in c minor (BWV934)......................................J.S. Bach (1685-1750)

 

Six Variations on an Original Theme, Op. 34

Theme (Adagio)

I – (D major)

II – Allegro, ma non troppo (Bb major)

III – Allegretto (G major)

IV – Tempo di menuetto (Eb major)

V – Marcia funebre (c minor)

VI – Allegretto (F major)

Coda (Allegretto. Adagio moto)....................L. van Beethoven (1770-1827)


Song Without Words (Andante), Op.102 No. 4....................................F. Mendelssohn (1809-1847)

Impromptu, Op. 90 No. 2..........................................F. Schubert (1797-1828)

Nocturne, Op. 37 No.1..............................................F. Chopin (1810-1849)

Bethena, A Concert Waltz.............................................S. Joplin (1868 - 1917) 


The program is a demanding one for me, and it was played through with no intermission.  I did speak briefly between some of the pieces.  The program is now packed away, and new material has been started.  More later on the new pieces.

Some of the audience (my mom and dad) mingles with the guest performer after the concert. 

I have one movie to report.  Though it promised much, it didn't deliver very much at all.  House of Bamboo is from 1955, and is directed by Sam Fuller.  It was in colour, and in Cinemascope.  It was filmed entirely in Japan.  It could have been a real epic film.  But it wasn't.  The plot is a lackluster gangster film, and Robert Stack as the lead actor and hero leaves much to be desired.  Deb made a promising choice, but the film simply did not live up to its hype.  Deforest Kelly plays one of the gangsters.  Overall, very colourful and with some wonderful local photography, but pretty much a disappointment.

Now showing on Criterion. 

Tonight we finished up The Name of the Rose, an 8-part series on AMC.  While some of the episodes had some filler, overall the series was first rate and highly recommended.  I read the novel too long ago for a fair comparison, but I would like to think it is a definitive filmed version.  I sincerely hope other Eco novels will receive similar treatment in the near future.  The final episode features the burning of the library and monastery, as well as a number of deaths.

I will finish up today's blog with a quick look at a painting from the DIA.  American Impressionism features a number of works equal or superior to many French ones.  Detroit has a very good sample of French Impressionism, and a fabulous group of American paintings influenced by that movement.  On The Canal, 1916 could pass as a Van Gogh, and a very good one at that.  I have a healthy interest in the American canal era, which was extensive but short lived.  By the time the canals were fully constructed and operational, railroads were already beginning to supplant them.  Major flooding eventually destroyed the entire system.

We have visited many canal sites in Ohio and Indiana (a canal went from Toledo to Fort Wayne, IN, and from Toledo to Cincinnati).  It's fun comparing photos of the era (early 1900s) to the same locations today.  There are big differences.  Especially in the towns and cities, canals were in industrial areas, with no trees, grass, or any sign of a healthy ecosystem.  Viewing these overgrown sites today can give a very misleading idea of what the era was really like (a bit like Hell).  While Robert Spencer's painting does feature a large tree, he chose to paint it without leaves, likely in early Spring.  Though this particular image is from Pennsylvania, it is easily recognized as a classic canal side image of the day, from just about anywhere in the Midwest.  I love the slightly mismatched windows in the narrow central house.  The painting is getting me interested again in visiting some more sites!

On The Canal, New Hope, 1916.  Oil on canvas.  Robert Spencer, American, 1879-1931.  Unframed 30" x 36".  Did Van Gogh visit America?  Collection Detroit Institute of Arts.


Two details from Spencer's fine painting.
 

Mapman Mike

 
 


 

 

Thursday 21 July 2022

Recent Films

We're into our 4th day of temps in the 90s, with at least two more to go.  We are still working on railing segment #2, but only in the mornings, when it's shaded and less hot.  It's getting done, just real slow.  We continue to lead a mostly indoor life.  I was supposed to perform my piano pieces for a few friends this morning, but one of them is isolating due to Covid exposure.  The same thing happened last Monday with another friend.  I did perform them for Paula at least, and things went well.  I played on her grand piano, and it was a really fun experience!

A lot of films to report on.  I will begin with the most recent, which we were two of my choices.  Last seen was a 1949 western called Lust For Gold, starring Ida Lupino and Glenn Ford, along with a host of recognizable B character actors.  Filmed in the fierce and extremely rugged Superstition Mountains near Phoenix, it features some incredible stunt work near the end.  It concerns the Lost Dutchman Mine, said to be hidden up there somewhere, still.  Maybe I'll get lucky on my next trip to Arizona.  The mine is also said to be somewhere in western New Mexico, so we may stumble across it yet.  The movie actually encourages viewers to go in search of it!

Leaving Criterion July 31st. 

Before that came Lone Wolf and Cub: White Heaven In Hell.  From 1974, it is the 6th and final film in the series.  It's kind of like a samurai James Bond picture, on skis. The music is ridiculous. As usual there is some impressive gushing of blood, as well as newly headless bodies.  I remember many of the scenes, which were taken directly from the manga.  We also watched three short features about the film, created by Criterion.

Now showing on Criterion. 

Before that came Deb's choice.  It was a documentary about the Black director Melvin Van Peebles, called How To Eat Your Watermelon In White Company (and Enjoy It), from 2005.  It's a fantastic doc about a man who truly made himself, and had a mouthful to say about the Black experience in American in the 60s and 70s.  Highly recommended!

Leaving Criterion July 31st. 

For some reason Deb forgot to pick a regular film, so we move on to my two weekly choices for this past week.   From 2006 came Richard Linklater's A Scanner Darkly, and animated version of a Philip K Dick novel.  It is a very odd film, a futuristic film noir on the same wavelength as a favourite British TV series called In Deep that I used to enjoy watching.  A futuristic undercover cop gets himself hooked on the drug he is trying to prevent infiltrating the public.  Parts of this film could only be done as animation, such as the cloaking devices used to keep identities of the police secret.  A great film, somehow missed by us over the years.

Showing on Criterion until July 31st. 

Finally, seen a while ago, came another two shorts a feature by French comic director/actor Pierre Etaix.  The shorts were The Anniversary, the Oscar winner for 1962 in that category, and Rupture, from 1961.  In the first one a man tries to get home to his wife in time for his special dinner with her, but Paris rush hour traffic has other plans for him.  In the 2nd one, a man tries to write back to his girlfriend who has just broken off with him, but his writing utensils do not cooperate.  Both are very funny.  The feature is called The Land of Milk and Honey, from 1971.  there are no actors or staged scenes.  Instead, Etaix went into the field to shoot an amateur singing event, and lets the contestants and others speak for themselves.  The feature caused a scandal in France when it was released (for ten days only before being yanked), and virtually ended the director's film career.  Seen as a devastating attack on French people at the time, it's a mostly harmless and sometimes very funny and satirical look at that society.  With people pretty much speaking and demonstrating their shortcomings all on their own, Etaix has created a snapshot of a certain time and certain people, demonstrating to us nothing that people of any country would demonstrate.  It is not French people; it is people everywhere that he satirizes.  He just happened to be working in France.  Definitely worth seeing, as it has been restored, and was out of circulation for decades.

Now showing on Criterion. 

We are now 6 episodes into Name of the Rose,and we have watched the first part of the newer The Prisoner series.  And in Wondrium news we are viewing two lecture courses:  Archaelogy of North America (24 parts), and The Theory of Everything (also 24 parts).  Some great viewing around these days!

Mapman Mike

 


 

 


 


 

Sunday 17 July 2022

Garage Foundation Update

 We finally found a contractor to tackle our little foundation job!  With thanks to Iannucci Custom Homes, repairs are well underway, and our savings account is considerably depleted.  We sent out an e-mail Wednesday evening.  Sometime Thursday Rob stopped by to have a look.  He said it would be no problem.  He is currently building foundations for two new homes, but had a break while awaiting materials for those projects.  At first he said he would start next Wednesday.  But by Thursday night he had changed his mind, and he was on the job with his crew at 7:30 am Friday morning.  First a trench was dug, exposing the crumbling foundation.


Two views of the old foundation, seen crumbling.  Underneath the garage floor it is hollow! 

Next it was time to demolish the old foundation, which took a few hours of hard labour.  Thankfully they were in the shade during this phase, as it was a warm and very sunny day.

Two of the three-man crew work to demolish the old foundation.  It is still shady at this point.

They use styrofoam pre-made forms.  Once fitted into place, they pour cement into it.  Still shady!

The finished product, as the cement sets.  All done in one day.  They came Saturday morning to remove the support boards. 

Today we are awaiting the digger to fill in the trench.  Next comes the concrete pavement for a large square part of the driveway.  This was supposed to have been done along with the new stairs, but once that contractor had dug down to the dirt, we saw the foundation problem, and he was unable to proceed.  So far we are out $14,000.00, with the driveway yet to finish.  That doesn't count our new eaves troughs, so add in another 3 grand.  But at least our drainage problem should finally be solved!  Many thanks to Iannucci Custom Homes!

Mapman Mike

 
 

 

Monday 11 July 2022

Film Festival Time

We are running a bit behind n our viewing schedule, as we tackle several mini-series outside our normal weekly movie watching.  A normal week will see us watch 4 films.  But at the end of each month, a 3-film film festival gets thrown into the works, in addition to the regular schedule.  We are currently watching the June film festival offerings, chosen by yours truly.  I selected six short documentary films from Senegal, by director Paulin Soumanou Vieyra.  They begin with the 1955 short called Africa on the Seine, which takes us to Paris to see how blacks are faring at that time.  Next came the 1961 short called A Nation Is Born, detailing the history of Senegal.  Mol is from 1966, and is in colour.  A fisherman from a small village needs to purchase a motor, so he can go out further to find a richer catch of fish. The film details his efforts to find, fund, and transport his motor back to his home village from Dakar.  Birago Diop, Conteur, is a 1982 film about a Senegalese writer and poet, one who still influences the country's schools and thinkers today.  From 1981 comes his film about Ousmane Sembene's film Creddo.  The documentary is called Behind The Scenes: The Making of Creddo, and includes interviews with Sembene, his wife, his cameraman, and his editor, as well as many scenes of filming.  The hardships of African filmmakers are highlighted, including the 4 week wait for the rushes to be sent to Paris and returned to Dakar.  Eye opening stuff!  Lastly we watched Iba N'Diaye, about the Senegalese painter, a film from 1982.  The director died in 1987.  The films we saw give a glimpse into things African from an African perspective, and there is no better way to gain insight into that continent.

Before the above festival, I suffered through a 2nd viewing of Del Toro's Pan's Labyrinth.  My views have not changed much; it is still one of the most sadistic films I have ever seen.  Though the fantasy elements are off the scale for their incredible effects and atmospheric renderings, the film is ruined for me by the violence.  Many viewers eem able to overlook this aspect of the film and move on.  I cannot.  Welcome back to modern films.  One of the main characters, who is the reason the other characters end up together in the film, is a fascist captain of the Spanish army, in 1944.  He is there to fight and eliminate the rebels.  Fine, whatever.  But del Toro goes way overboard with the character, making him a masochistic and ultra sadistic bully.  His portrayal and way over the top actions basically ruin the film for me.  No matter what eventually happens to him, he cannot ever be made to pay for what he has done (including shooting a doctor in the back and killing him, teasing and torturing a captured rebel, a stutterer, in a very long and extremely painful sequence, and shooting to death a little girl, another main character of the film).  Del Toro was a big fan of Dickens, and it shows, but now severely updated.  This film is not really entertainment, except perhaps for an ultra sadistic viewer.  But it is a reminder (if anyone actually needs one) of how cruel some people can be.  And if you really believe that this film has a happy ending, then go back to watching the Disney Channel.

Now showing on AMC. 
 
Pierre Etaix is a French director, kind of in the same category as Jacques Tati, a favourite of ours.  We watched 4 short comic films by Etaix, under the umbrella title of As Long As You've Got Your Health, from 1966, which was one of the shorts.  In it a stressed out doctor tries to deal with his stressed out patients.  The other three are Insommnia, about a man unable to sleep who picks up a bedside vampire novel and reads it; Cinema, about trying to find a good seat in a crowded theatre; and In The Country, about a picnicking couple, a farmer trying to put up fencing, and a hunter, all interacting in a hilarious way.  We are looking into more by this director.
 
Scene from Cinema, one of the shorts by Etaix showing on Criterion. 
 
In local news, the heat and humidity are back.  At least we had a few days of relief, though the sun is merciless this time of year, even on "cooler" days.  We are once again making progress on installing a second railing segment on the new stairs.  There are problems trying to match it to the first segment, but those are being overcome with new tools and lots of patience.  Concrete hole drilling should resume tomorrow afternoon.

I did a run through of my piano pieces when Amanda visited last weekend.  Next Monday I will perform them for three friends, and possibly for Jenn if I see her this weekend.  Even though we are now entering our 7th wave of Co-vid, this will be the first time we have had three people inside our house since before the pandemic.  The next day Deb and I will go to Windsor to receive our 2nd booster shot.  After that I will think about making my way north to Sudbury, possibly later that same week.  My brother Stephan retired from his job last week, a service manager at the local Ford dealer.  He should be in a good mood!  Meanwhile, tomorrow I report to my ear specialist for another hearing test and check up.  My hearing has fully returned again, so I anticipate a quick visit.  Dr. Ling is also a pianist, and we usually chat more about music than about ears.  And Thursday Deb returns to see her oral surgeon, probably for stitches removal and a final check on how things are healing.
 
Mapman Mike
 
 

 



 

Monday 4 July 2022

Catching Up Again

 We continue to try and put up railings on our new outside staircase.  We have half of the job done; the other half requires some ingenuity.  Deb thinks she is up for the challenge.  More later.  Still nothing to report on our garage foundation.  There it sits, in all its unfixed glory.  The car sits outside, which won't work well in the winter.  Speaking of winter, I finally had my winter dream, which usually occurs on or about Summer Solstice.  In this dream, there was no snow on the ground.  But everyone was talking about the big winter storm that was immanent, and would soon bury us in the white stuff.  So there; that part of my life is done with.  I remember worrying about how to get the car into the garage before the storm.

In weather news, we have had no measurable rain here at the homestead since June 14th.  The grass is brown and the earth is cracked.  We've had two close calls, but no rain here.  Next chance is tomorrow night, when storms are predicted.  We need a good inch of rain at least.  In June we had five days at over 90 F, including a 99, 97, and 94 F.

In music news, my newest piano program is up and mostly ready for performance.  I've played the Bach and Beethoven for my piano friend Paula, and they went really well on her grand piano!  I was happy, and she was amazed.  So far so good.  Now I need to play for a few people, and get on with a newer program. We continue to listen to the complete works of Beethoven here at home, as well as our entire classical record collection, over a thousand records.  We need to knock back an opera soon.  We just finished our Bach records, as well as all the Schubert string quartets.  Next up are the Schubert symphonies.  As for Beethoven, we are in the opus 70s right now, heading well into his middle period compositions.

In gaming news, I am playing Myst 5, which will complete the 8-game series, 5 Mysts and 3 Urus, most of them being played for my 2nd time.  I continue to play Botanicula, but am currently stuck trying to rescue a 3rd tyke, with two already safe with mama.  We are ready for our 2nd game of Middle Earth The Wizards card game in our new series.  And tonight we played Scrabble for the first time.  It's supposed to be a game that's good for old folks to play.  We didn't keep score, but tried to learn the rules.  We should be ready next time for the real thing.

Turning to film, there are two to report.  I chose Wheel of Fortune and Fantasy, a 2021 Japanese film by the director of Happy Hour, the 5+ hour film we watched last month.  This one featured 3 short tales, the last two being quite good, and the first just so-so.  Hamaguchi is a director to keep an eye on; we still haven't seen Drive My Car.  In the 2nd story, which is filled with irony and several risque moments, a married female adult student is enlisted by her young boyfriend to try and seduce a professor and get him fired.  She heads to his office prepared for the job, but the two of them of them hit it off rather well.  The ending is a surprise, and tragic and funny at the same time.  In the 3rd film, two women meet on the street, each thinking they know one another from high school, and strike up a conversation.  One invites the other to her house for tea, where they come to realize that they don't really know each other at all, both succumbing to mistaken identity.  Funny and touching, this is the best of the three.

Now showing on Criterion. 

My going away choice was 'Round Midnight, from 1986 and directed by Bertrand Tavernier.  From the description on Criterion....."’ROUND MIDNIGHT is a love letter from director Bertrand Tavernier to the heyday of bebop and the Black American musicians who found refuge in the smoky underground jazz clubs of 1950s Paris. In a sui generis, Oscar-nominated fusion of performer and character, legendary saxophonist Dexter Gordon plays Dale Turner, a brilliant New York jazz veteran whose music aches with beauty but whose personal life is ravaged by addiction. Searching for a fresh start in Paris, Turner strikes up an unlikely friendship with a struggling single father and ardent jazz fan (François Cluzet) who finds his life transformed as he attempts to help the self-destructive musician. Herbie Hancock’s evocative, Oscar-winning score sets the mood for this definitive jazz film, a bittersweet opus that glows with lived-in, soulful authenticity."

It's a very engaging film, with great acting and fabulous blues music.  Highly recommended.

Leaving Criterion July 31st. 

In series news, we finished up Amazon's amazing 16 part one called Undone.  A very fun and original animated series to watch, and perhaps rewatch.  And tonight we saw part 5 of 6 of Dark Winds.  The final part comes out next weekend.  And we are halfway through Name of the Rose, an 8-part series.  A newer version of The Prisoner is on deck.

In writing news, my children's vampire novel has been translated into French, and is ready to send off to Paris this week!  Fingers crossed on that one.  Thank you, Celeste!!

I'll finish up with a summer time painting from the DIA.  Western Landscape by John Mix Stanley shows me where I would love to be right now.  And if not floating down a river or crossing a lake, then at least I'd like to be sitting where the painter is, and just watching what happens.

Western Landscape, 1847-1849.  John Mix Stanley, American, 1814-1872.  Oil on canvas, mounted on Masonite.  18 1/2" x 30".  Collection Detroit Institute of Arts. 

                                                                        Detail of above.

Detail of above. 

Mapman Mike