Jean Rollins' Topless Vampires

Before we get into all that vampire blood, we will take a moment to comment upon Deb's blood.  Her latest blood test shows continued improvement, and she seems to be feeling like her old self.  She has been exercising for over a week now, and we both hope to be walking outdoors again any day now, weather permitting.  We bought a new suitcase, and a new backpack for Deb.  So we are definitely thinking of traveling again.  However, airfares are not pretty.  We shall see.

 

In other news, Sudbury officially received about 40 cm of snow last week (16").  It was the heavy stuff, not the fluffy stuff, and some ice pellets and freezing rain landed on top of it, making plowing nearly impossible.  They are still digging out, and have had several more inches since then.  No spring flowers for Sudbury for a while.  The street where my family lives never did get plowed.  My brother and three other neighbours with snowblowers had to clear a single lane by themselves.  It hit on March Break for schools, but even so the school buses were cancelled in the city for two days this week.  It's seldom that a major snowstorm gets the better of Sudbury, but it happened this year!

 

Turning to cinema, I have always been a fan of classic Hammer horror films.  They influenced a generation of film makers, including Roger Corman.  And Jean Rollin, it would appear.  Criterion has six of the French director's horror films, all leaving this month.  We are trying to watch at least five of them.  So far, three have been viewed.

 

Requiem for a Vampire is the earliest, from 1972.  Hammer Films were winding down by that point, and then along came Rollin.  His films are pretty short and focus even more strongly on sex than Hammer ever did (different censorship rules in France compared to England).  They all contain some great atmosphere and photography and feature many naked young women with mostly natural, unenhanced bodies.  The films are are in colour, and there is often a lot of blood.  Requiem opens with a car chase, one of the more unique ways to open a vampire film.  The vehicles' passengers are shooting at one another, and the lead car has two females dressed in clown suits.  There is no explanation.  After one car crashes the two females head cross country on foot, soon arriving at a cemetery and an abandoned and ruined castle.  The fun soon begins.  Definitely worth catching for fans of earlier vampire films.

 

Leaving Criterion soon. 

 

In Lips of Blood from 1975 a young boy has a close encounter with a beautiful young girl in the ruins of an old chateau.  It is a brief affair, but it comes back to him in a flash 20 years later when he sees a poster showing the old chateau.  Determined to find the place again and perhaps the girl, who was kind to him, he begins asking questions and looking for help.  However, someone is out to stop him.  He sees fleeting images of the girl and she seems to be asking for his help.  Of course he finds her and discovers that she is a vampire, but this film goes into mostly unpredictable territory, and actually has a happy ending (for the vampire).  The young girl playing the entrapped vampire (Annie Belle) is quite beautiful, with a face that would lure any man on (not me!) to his doom.  Recommended.

 

Annie Belle has lips of blood. 

 

Leaving Criterion soon. 

 

The third film in our on-going Jean Rollin festival was Fascination from 1979.  A group of robbers get mixed up with two women in a beautiful not ruined chateau.  Too bad for them.  The women are part of a clique of gals that drink not only ox blood (good for anemia), but eventually develop a taste for human blood.  The two women from the beginning later become seven women, and the one poor male robber remaining doesn't have a chance.  Oddly fascinating, the film is quite violent in places, including one scene where two women face off on a drawbridge, one with Death's scythe and the other with a tiny dagger.  Guess who wins?  The opening scene in a butcher's abattoir is suitably revolting.  The time is the very early 1900s.  Worth catching for blood drinking fans.

 

Leaving Criterion March 31st. 

 

Mapman Mike

 

 

 

Spring

It has arrived.  It was a long awaited event (since last November).  This past week I have had to wear three different jackets to go outside.  My normal winter one, a light jacket but very warm; a spring/summer jacket; and my warmest winter jacket.  Our weather continues to be all over the map in the way of temperatures.  We were able to add another day to our sub-zero daily highs, making it 52 now.  Sudbury had a major snowstorm, along with a lot of the American Midwest, with nearly 20" of new snow.  That should keep them white until at least May.  We had a few flakes, but the cold really took a bite out of our spring bulbs.  Hopefully they will survive.  So far only snowdrops have bloomed.  We are considerably behind this year.

 

It's kind of funny/odd, but just as our thoughts are able to turn once again to travel a new war begins, driving up the price of jet fuel and making airfares even more pathetic.  Depending on Deb's next two blood work results, we had hoped to cross the Atlantic again.  It would be our first time since 2019.  Possible destinations include Iceland (a shorter jaunt), Vienna (a longer stay) and, of course, London.  But now who knows?  I had to fill up the gas tank on our vehicle yesterday, and it wasn't pretty.  At least there were no lineups at the pump.

 

We also have a very expensive house fix coming up March 30th, as we will get our radon problem mitigated.  Readings this winter went sky high, so it's time to fix it.  We (mostly Deb) have been doing a house clearing, something that happens every five years or so around here.  This time we are serious to get things down to a manageable level, making a possible move not only easier but more likely.  There are several large apartment blocks in Amherstburg with a river view, so we likely wouldn't go far.

 

In PC gaming news, my wishlist continues to shrink as Steam sales continue.  Great games can be had very cheaply if one awaits the frequent sales.  I recently collected six great older games, paying less than $35 Can.  I also added a few perks to my Train Sim World collection.  After completing Black Mirror, we have moved on to a newer Sherlock Holmes game called The Awakened.   It is an updated version of a 2008 game and is extremely complex and difficult to learn.  We nearly gave up on it a few times, but have used a walkthru to get through parts.  It uses about half the keyboard for commands and thus has a very long learning curve.  We are improving, and have played a few segments with no help.  Holmes and Watson are up against Cthulhu no less!

 

Screenshot of a young Holmes from The Awakened, a game for PC. 

 

In film news, Deb has completed her most recent one.  It took almost two months longer than expected due to her illness, but once she recovered things moved along well.  It is another great looking (and sounding) film, and will likely do well at festivals.  Watch for it on her website soon (her website link is in my upper left margin, top of this page).

 

In film watching news, we have completed all 30 episodes of Apple TV's Foundation.  The final episode was a trope-filled wonder, with extreme violence and sadism galore.  Of course another series is forthcoming, someday, which will cover all three books.  From what I have read about the series the further along it gets the less it has to do with Asimov's novels.  It is a great looking series, taking lessons from recent Star Trek series, and no doubt from Game of Thrones.  For my money there are too many characters, too many sub plots, too much violent conflict and too little science.  Asimov did not write a fantasy of the future; he wrote a science-based work of fiction.  But we all know that TV viewers are too dumb to care much about science.  Besides, it's more fun watching things blow up.  I will get around to the first Asimov book of the series in the very near future.

 

We also completed a multi-season travel series hosted by Eugene Levy.  Called The Reluctant Traveler the Canadian actor is supposedly brought out of his deep shell by the experiences he undergoes.  However, he travels in five star luxury, meets up with important locals who show him around, and gets to see things other travelers never would see.  For example, on his visit to London he spends 4/5ths of the time in Windsor in conversation with Prince William.  It's fascinating to see a future king being so candid with Eugene, but really, a travel show?  Hardly.  He gets a private tour of the palace and grounds, then goes into town and has a pint at the pub with William.  Ah yes, just like our visits to England.

 

And we have completed watching all 4 seasons of Monty Python's Flying Circus.  When it's good it's very good.  But when it's bad, it's very racist, sexist and hardly funny at all.  Still, every episode offers up something memorable and hilarious. We have now moved on now to another comedy classic series, Second City TV, with some of Canada's funniest comics (John Candy, Joe Flaherty, Catherine O'Hara, Eugene Levy and many others).  We also managed to get through all three seasons of the original Addams Family series.  This stuff is usually lunch time viewing, as we eat.

 

In film news there are two to report.  One of them should have been trashy and the other classy, but as things turned out, our expectations were incorrect.  Women of Devil's Island is from 1962, part of our "Drive In Classics" DVD library.  It sounds like an exploitation film, and there are certainly a lot of beautiful women in it.  However, it is a swashbuckler and a bit of fun viewing.  The women are prisoners of the revolution, sent there after their families were murdered or exiled.  They are badly misused by a cruel and sadistic warden.  A pirate ship comes by and attempts to steal the gold that the women work so hard to mine.  In the process they also attempt to rescue the women.  For the most part the women stick together and help defeat the prison guards.  Sisterhood has never looked so brave and noble.  Hurrah for the women of Devil's Island!  While there are a few heaving bosoms, it is mostly the fancy feminine hairstyles that viewers will be drawn to.

 

From our classic DVD collection. 

 

Lastly comes Lancelot du Lac, a Goddard film from 1974.  Possibly regarded as a good film, it isn't.  The actors say their lines like a class of high school kids who don't want to be in drama class.  The men wear armour all of the time, a ridiculous look and even more ridiculous sound.  Horses gallop, jousts and battles take place off screen, the two lovers don't seem much in love, and blood spurts from all directions at times.  The film is quite tedious.  Watch John Boorman's Excaliber instead.

 

Showing on Criterion. 

 

Mapman Mike

 

 

 

 

 

HIgh Winds

We were given fair warning, but the wind today was nearly off the scale for us.  Beginning around 7 am we were hit with a wind sheer.  Deb was up and saw the full garbage can rolling down the sidewalk.  It was garbage day and we had put it out last night.  We never saw it again.  We nearly never saw Deb again, either.  She went out alone to retrieve it, but it was already gone.  Then she had to fight her way back up the sidewalk against the wind, which was 60 to 70 mph.  It was also sleeting.  Of course I happily slept through it all, and might never have known what had happened to her had she blown away.  14 hours later and it is still howling away out there.  Both Ontario and Michigan have very large number of power outages, including much of Amherstburg.  So far our power hasn't even blinked.

 

In film news, Deb is awaiting the new music for her latest film.  She has a good composer in Mexico City, a student at the university there.  She has used him before and is hoping for another winning score.

UPDATE:  As I was typing our power went off very suddenly.  It was off for about 30 minutes.  So far so good, and we are back in business.  It is quite cold outside, so the house was getting chilly.  The furnace does not run without electricity.  But we have lots of wood stocked up and we were getting ready to light the fireplace.

 

In other film news, there are three that we have watched recently.  Jim Jarmusch's most recent film (2025) is called Father Mother Sister Brother.  It consists of three short films, all written and directed by Jarmusch.  All three films are family oriented and small in scale.  the first one stars Tom Waits as an old coot who lives alone and knows how to prey on his son's sympathy, wrangling lots of cash from him to keep up his secret high living life.  When his son and daughter visit him he puts on an act of a man with barely a nickel to his name.  The daughter is not fooled, however, and never gives him anything.  The second film stars Cate Blanchett and Charlotte Rampling.  Rampling is the mother, and her two daughters are coming for tea.  She lives in Dublin and is a writer.  The visit is awkward and as Deb says, a bit creepy.  Rampling hardly looks like she was a model mother.  Neither of the first two films impressed me very much.  However, the third one is a winner.  Fraternal twins get back together for their parents' funeral.  They obviously have a deep connection, and this comes across beautifully in the film.  This third one is well worth watching.

 

Now showing on Mubi. 

 

Tamal 2010: A Punk Cat In Space is from 2005, a Japanese anime flic that will have viewers saying "Huh?" for its 92 minutes running time.  Here is the Criterion blurb:

 

[The movie] is a futuristic fever dream that flows back and forth in time, following the adorable wide-eyed kitty Tamala on her home world of Meguro City, a BLADE RUNNER–esque metropolis controlled by the Catty & Co. corporation. Escaping into space, she’s waylaid by the God of Death and crash-lands near Hate City on the Planet Q, where she meets a new boyfriend, goes bowling and thrift shopping—and realizes she may be the latest reincarnation of an ancient Greek cat cult with ties to the omnipresent Catty & Co. 

 

If that description floats your boat, then I hope you enjoy it as much as we did.  Probably best seen under the influence of drugs of some kind or other, watching it straight was a weird enough experience.  If nothing else, it is certainly a memorable film.

 

Showing on Criterion. 

 

This evening we watched a Mervyn Leroy classic film from 1934 called Heat Lightning.  Two sisters run a desert gas bar, the older one being the mechanic and the younger one running the cafe.  Different customers stop by and pass on, but two criminals on the lam stay for a visit.  The mean one knew the older sister in a different life.  The younger sister is anxious to date boys.  They both end up hurt badly by events that transpire.  The film, a short one, begins as a comedy but soon becomes a tragedy.  However, life goes on.  A pretty neat film, and it would make a good double feature with the later and superior Petrified Forest.  Aline MacMahon is terrific as the older sister with a past that comes back to haunt her, while Ann Dvorak plays the innocent younger sister effectively.  Worth catching.

 

Leaving Criterion this month. 

 

In health news, Deb's latest blood work showed very good progress.  She is getting her energy back, and all seems well for now.  I had my foot checked again this week, and all seems well there, too.  Perhaps there will be some travel in our near future.

 

Mapman Mike 

 

 

 

 

Black Mirror (1) Review: Piano Repertoire 8 Week Update

 A lot happens between posts, most of which does not get reported.  We added one more cold day, bringing our season total to 51.  Hopefully that is all behind us now.  We had some snowdrops blooming on the 28th of February.  Their numbers are increasing daily.  Crocuses and daffs are also on the rise.  Astronomy season has begun once again, after a three month hiatus.  Rain and clouds are in the forecast.  Sigh.  Deb also had her second and final iron transfusion.  It seems to be working and she is hard at work on her most recent short film.

 

We finished watching season one of Mlle. Holmes, a French series in 6 parts.  Four of the programs weren't too bad.  The worst one was the finale, called (of course) The Final Problem.  It was almost unwatchable, as a woman who had competently solved crimes for five weeks suddenly falls apart completely when she realizes that Mlle. Moriarty is framing her for shooting her grandfather.  The frame up is so bad and amateurish that sixth graders I have known could have easily got out of being blamed.  Supposedly part of a crime fighting police team, she goes it all alone, as so many TV character tropes do.  She hides evidence, she loses her ability to think, and she acts completely selfishly.  Of course she has no Sherlock blood in her veins; only Moriarty's and her mother's, after they had a brief affair.  Or something.  Moriarty would be ashamed of her.  Anyway, it was a bad way to finish the season.  Not to mention that she commits murder at the end.  Grandpa wakes up at the conclusion, after being in a coma throughout the entire episode, unable to tell anyone who shot him.  No trope there.

 

In addition to being hard at work watching the final ten episodes of Foundation, we watched a new film by a favourite (up till now) director.  Dracula is a 2025 film by director Radu Jude, who turns his creative block towards AI, chatting with it about the Dracula myth and letting AI come up with its own version of it.  Thus it is a series of short films connected by the director's chats with AI, and loosely connected to the Dracula myth.  The main story that seems to run through this very long film (170 minutes) is quite good.  A sort of Dracula low budget stage event sees Dracula and the girl he seduces performing in front of a group of tourists in Romania.  At the end of the play the audience gets to chase them around the village with long wooden stakes, after giving the villains a one minute start.  Other shorter films are less and less successful, finally becoming too comically raunchy to even sit through unless the viewer has a bad fever and is mildly hallucinating.  Anyone who has used AI for creative purposes has a fair idea of how badly things can turn out.  While the film has some terrific scenes, it also has far too many which are beneath most intelligent people's dignity to view.  I can recommend the first half, though it contains an overlong love story that ends in a bizarre enough way.  Another later story concerns the first Dracula novel published in Romania.  The movie goes downhill the longer one watches.  See it at your own peril.

 

Radu Jude and AI take on the undying legend.  

Showing on Mubi. 

 

Moving on to PC gaming, we replayed Black Mirror, a horror adventure game published by The Adventure Company in October 2003.  I first played it in December of 2005, though it took me four months to get through it (25 hours of playtime).  I remembered almost nothing of the game, other than it rained a lot, so this was like playing it for the first time.  Deb and I played it together.  Even so, we needed to look up some things.  More on that later.

 

Overall Black Mirror remains a pretty decent game.  It spawned two sequels (both played) and a new and updated version of this first game, still awaiting me in my Steam library.  Samuel Gordon returns to his ancestral home (Black Mirror Castle) upon the suicide death of William Gordon, his grandfather.  He soon becomes embroiled in a family curse, and works to solve a great mystery surrounding William's death.  The story is okay, at least until it is revealed who the killer is.  That revelation defies all logic.

 

The game plays out in six chapters.  Locations are gradually added as the game progresses, but it begins inside the castle and on the grounds.  There are several people to speak with, and many rooms to explore.  The first two chapters include the nearby village and a church.  Chapter 3 takes players to another ancestral home in Wales.  This chapter is like a game unto itself.  Chapter 4 adds underground locations including beneath the church and Black Mirror Castle itself, as well as an old mine.  Next come many chilling visits to the morgue, an ancient stone ring and a lighthouse.  Many locations are seen in late autumn daylight and during night and dark thunderstorms. I was correct; it does rain a lot in this game.  And yet Samuel never wears a hat or carries an umbrella--perhaps he is crazy).  Presentation is via an enhanced slideshow format, where Samuel walks across the view.  Sometimes the on-screen scenario can be extended by walking further or to one side.  Let's look at some images now.

 

 

Black Mirror Castle. 

 

The main entrance hall within the castle. 

 

The castle greenhouse.

 

Churchyard cemetery.  There are several cemeteries in this game.

 

Entrance gate to the house in Wales. 

  

The local map showing all locations (except Wales).  Once acquired players can click on the map and transport there. 

 

The very creepy Morgue.

 

To escape from the old mine we must shoot and kill a wolf (boo, hiss) in a timed sequence set up to make players fail. 

 

My favourite screenshot, taken beneath the parish church. 

 

Same cemetery as above, at night.  There are at least four in the game.

 

The final problem, so to speak.  This is close to the end of the game, in Chapter Six. 

 

As the images hopefully demonstrate, I have no quibbles with the graphics.  Again played in 640 x 480, Steam has done a good job of keeping this old game looking good.  Not having to constantly switch CDs is a good thing, too.  Anyway, the body count continues to mount during the game.  In addition to William and the wolf, the castle gardener is murdered, a young boy (boo, hiss), Samuel's uncle and his cousin (?) James.  Besides a few too many murders, what else is there to dislike about the game?

 

Well, there are very few actual puzzles.  Assemble a torn photo, unscramble some riddles, solve a 4 x 4 sliding puzzle, figure out how to open a jewel box with a puzzle along with a few other examples, this game is mostly about pixel hunting.  Hot spots appear red when the cursor is placed on them.  Very often spots that have been checked 101 times and not shown up will turn red later, after a certain conversation or action has taken place.  Inventory can become crowded at times.  Worst of all, some hot spots must be left clicked and right clicked, or else.  Yes, players can "die" in this game.  After Samuel gets killed a few times by a wolf, and his head sliced off, it is a good thing to save often.  This brings me to my main complaint.  If you don't save often you get a much more immersive experience in the game.  But if you don't save often and you die (not if but when) then a lot of replaying must take place.  If you do save often, you totally lose the immersive experience of being in the game.  Developers never really get this.  It seems a necessity to kill the player many times, to prove how stupid players are and how clever the developers are.

 

Things I liked were the fact that Samuel would not leave a place if there was still more to do there.  That was very handy.  And many of the map locations could not be visited if they were no longer needed.  Very helpful.  Sadly, however, the game lacked flow.  As soon as one puzzle was solved, one thought that the way ahead would be clear for a time.  Usually another obstacle was encountered almost immediately.  And now we come to the game's conclusion.  Once we know who the killer is, we also realize that it would be virtually impossible for that person to have committed all the crimes.  For so many reasons (no blood anywhere on him, for one).  Perhaps this will be explained better in the second game, which I've also played but forgotten.

 

I can recommend the game, though it falls beneath most games where players cannot die.  Good graphics and highly atmospheric locations, a decent enough story (until the end).  But beware that right click option. We played for a total of 24 hours, taking solutions where needed and seemingly stuck.

 

In piano news, the first 8 weeks are usually crucial to further development.  Practice is very slow, as the pianist attempts to teach his body what to do when and where.  Being a naturally slow learner, 8 weeks usually doesn't get me very far.  However, I can now play the Invention in D by Bach, and the Haydn sonata (a small one, albeit) is coming along nicely.  I have even began to memorize it.  The Bach Prelude in D from Book 1 is still very slow going.  Though mostly a piece for right hand, it has more tricky places than a typical mine field.  The fugue, though, is progressing well.  It should be ready to play in another four weeks.  I have yet to begin the final piece on the first half, a short work by Beethoven.

 

The second half of the program is dominated by a very difficult Chopin Nocturne, Op. 27 #2.  I nearly gave up during week 5, and I might still pack it in.  Despite getting 40' a day to itself, it still sounds like I am sight reading it.  If after another four weeks it is still going nowhere, I will switch it off for a different piece.  The pieces by Scriabin range in difficulty from fairly easy to quite difficult, are developing as expected.  One of them is fully playable while the other two slowly improve each week.  Lastly comes a difficult piece that I learned several years ago, March Wind by MacDowell.  It is coming back to me quite fast and should be memorized and playable in four weeks time.  I will report again at that time.

 

Mapman Mike