Showing posts with label Chantal Akerman. Show all posts
Showing posts with label Chantal Akerman. Show all posts

Tuesday, 1 December 2020

November Books Read

 A touch of winter has returned, as predicted.  About 2" of heavy, wet snow is sitting out there.  Our vehicle is inside the garage, so no snow clearing required, except around the mail box and the bird feeding area.  Last night was our full moon celebration, with a lovely wood fire, a freshly baked coconut moon cake, and lots of music.  We listen a lot to internet radio, especially a channel called Ancient FM, which plays medieval and renaissance music.  We played a new CD, The Call of Rome, with only vocals.  I had heard one of the pieces on radio on my astronomy drives, and ordered the CD, which is amazing from start to finish.  The absolute highlight is a fairly long selection by Allegri, a compilation of Misere settings of startling beauty and emotional depth. 

I read ten books last month, and am almost finished my 11th.  Nine of them are by authors from the Avon/Equinox SF Rediscovery Series.  I am now 4 1/2 years into this project, and well over 500 books.  I honestly don't know when it will end, or if it will end, but I am down to ten authors (from 24), and I still have a pile of books on the floor beside my bed.  I mean a pile of books, as in two long columns, not to mention my stack of "other" books, unrelated to the series.  And I am so thankful for Kindle, which has so many old and out of print SF novels available, which saves me trying to track them down on websites, pay for postage, etc, not to mention the space they save.  I have a small truckload of those awaiting me as well as the physical books.

The month began, as it has for the past several months, with a novel by Piers Anthony.  I am slowly coming to the end of his solo novels, which means I will have to commit to his long series or not.  A few sound quite good.  His main series, Xanth, after having read the first two books, no longer interests me at all.  So that saves me reading about fifty books.  I have read the first book of his Adept Apprentice series, and am about to read the 2nd.  I will decided after book 2 if I will continue with this series or not.  Last month I read Shade of The Tree, a Stephen King clone of a horror novel.  Due to the fact that most horror movies and modern horror novels manipulate their audiences far too much, I am not a fan.  Though well written and sometimes very scary, this novel is no exception.  The father, who knows that very strange and scary things are happening at his house, still leaves his young kids alone with a babysitter.  Not once.  Not twice.  But three times.  Even though something bad happened before he left, and after each time he left.  That more or less ruined the tale for me.  The ending was good, and quite original, however.  There is a good deal of violence, including violence done to animals.  I am not a fan of that, either.

Next came To The Stars, Harry Harrison's 2nd book of the Wheelworld trilogy.  Readers of this column may remember that last month I reviewed the first novel, not much caring for it, especially the ending.  With the hero now sent off to a distant farming planet, we follow his survival adventure here among superstitious folk controlled by the "elders."  Harrison gets back to what he is astoundingly good at, namely planetary adventure writing.  This is a remarkable book, and can really stand alone without the first book.  There are wonderful descriptions and happenings (it really is a "road movie" kind of book) that will never be forgotten.  Like his Deathworld setting, this planet is unique, fierce, and unforgiving.  A wonderful creation!

The Star Venturers by Kenneth Bulmer is another fun pulp-style SF adventure, with big Bill Jarrett hoodwinked into finding a lost brother for a very powerful princess.  Bulmer frequently moves from planet to planet in his stories, and we seldom get the real feel of a place like we do with Harrison.  But Bulmer's stories are just as good, and move along at a rapid pace.  Fun to read, but not memorable.

After every two books I read a chapter from Swafford's huge biography of Beethoven.  I have now read 9 chapters, and we have started the massive 2020-2021 Beethoven listening project, now that we have his complete works in the house.  In my reading Beethoven is now 22, has left Bonn forever, and is settled in Vienna.  Our listening program is far behind that; the composer is only 14 and already writing very memorable music, such as the three lovely piano quartets we recently heard.

Next came Footsteps of Angels by E. C. Tubb, an author whom I really like, as in one of my favourite writers.  This one is classic stuff, as a father (a very, very rich father) goes in search of a cure for his daughter's sudden disease, which saw her go from young and healthy one moment, to a virtual zombie the next.  Similar things are happening elsewhere in the solar system, but no pattern or cause can be found, let alone a cure.  This is a really good story, with some actual science thrown in, too.

Starchild is the 2nd novel of the trilogy with the same name, by Jack Williamson and Frederick Pohl.  Having began two trilogies at virtually the same time (this one and the one by Harrison), I liked the first book here more than the first book by Harrison, but in the 2nd story Harrison did better than Williamson/Pohl.  Starchild is a really good story, just not as good as the first one in the series.  As a few freedom loving humans fight against total control by Earth's Machine, a 2nd, duplicate machine is discovered in space.  The first, original machine has gone mad, and the lost one plans on taking over.  But there is the Starchild to thwart things.  We don't know much about the Starchild yet, but it seems to be an intelligent star, or something like it.  I will know more this time next month!

Next was an excellent story by Michael Moorcock called The Black Corridor.  Not too far from a Barry Malzberg theme, we get to watch first hand as a slightly mad astronaut to begin with goes stark raving looney aboard his ship bound for a nearby star.  The rest of his crew is in suspended animation, and he is three years into his solo five year journey.  Taut, suspenseful, and full of surprises, this is a great tale from 1969, and would make a fabulous film.
 
Though I am saddened to report that I have now read all the novels by J. G. Ballard, I still have 1500 pages of short stories ahead of me, as well as the pleasure of rereading most of his fiction.  His last novel is called Kingdom Come, and Ballard finally gets around to tackling the shopping mall phenomenon.  I mean the really, really large shopping mall, one of those super malls that has everything, including devoted life long fans and consumer-drugged shoppers.  Ballard is a flawed genius, but a genius no less, and his writing is completely wonderful, dream-like, poetic, absurd, violent, loving, frustrating, and nearly every other adjective you might add.  Kingdom Come is another brilliant piece, scoring a solid 4/4, like his three previous novels.  We know the man suffered as a child, and later when his wife was tragically killed.  Somehow he turned all of that suffering into some of the greatest writing the English language has ever had the pleasure to reveal.

Barry Malzberg wrote the novelization of the screenplay for Phase 4, a SF movie from 1974.  I honestly cannot remember if I have seen the movie, but it is available on-line for viewing sometime soon.  Although the story is quite good, and Malzberg does an excellent job of maintaining suspense and developing characters, it is ultimately undone by the silly ending.  I am not a great fan of ants and their doings.  In fact, our yearly battle with the critters in our house (which we have continually won, so far), makes me dislike the little buggers quite a bit.  This is not a good book to read (or movie to view) if you are afraid of ants.  I'm glad I read it outside of ant season.

Written in 1962, James Blish's A Life For The Stars is the 2nd novel in his 4-book Cities In Flight series.  This must be at least my fourth reading, and I enjoy it every single time.  The concept of cities leaving Earth whole and flying out into space to seek their fortunes has to be one of the very greatest SF ideas never made into a movie.  The first book of the series sets the background, back in the 1980s.  This book boots us into the 4th millenium, and we are finally off on a few adventures.  Wonderful stuff!  A TV series based on these adventures would also be quite welcome.

My non-related book this month was the first novel written by Joseph Conrad, called Almayer's Folly.  I read Conrad in high school, but didn't fall in love with his prose until after university, when I read several of his novels, novellas, and short stories.  I had always hoped to come back to Conrad some day.  Thanks to Chantal Akerman's movie of the same name, my interest was instantly rekindled (pun not intended), and I purchased his complete works for $1.99 on Kindle.  Though the character of Almayer is perfectly portrayed in the film, his daughter Nina's character is completely changed.  In the movie, both father and daughter go mad at the end, whereas in the novel Nina escapes her incredibly torpid life with her father, leaving and marrying a man who loves her, and having a child.  In the novel much is made of Nina being white, so Conrad must have envisioned her as less dark than the native people.  In the movie she is very dark, but as beautiful as described by the author.  It's hard to say what it is that gets me about Conrad's writing; he just vibrates my brain like few authors can.  It's as if I lived back then, and was a minor character in one of his stories, knowing exactly how things were and how people felt about what they were doing.  His scathing look at the effects of colonialism and the human suffering it caused doesn't hurt, either.  A pretty solid first novel, and I feel like I am home again.

The lovely and enchanting Nina, as played by Aurora Marion in the film version of Almayer's Folly.
  
And speaking of movies, I have one more report to make.  We watched a great print of James Whale's 1932 The Old Dark House, a funny, spooky, and totally weird horror movie.  We had seen it before, but in a very bad print on DVD.  Starring Boris Karloff, Melvyn Douglas, and Charles Laughton, it's definitely worth a peek.  "Would you like a po_ta_toe?"  We are about to view a 1984 Japanese documentary called Antonio Gaudi.
 

 I'll finish up with an appropriate work of art from the DIA's collection.
 
A Winter Moon, Lauren. Addison Thomas Millar, American, 1860-1913, from his Holland series.
Etching and aquatint printed in black ink on wove paper. 8 1/2" x 7".  From around the turn of the century. 
 
Mapman Mike 

 





Tuesday, 28 July 2020

Medics, Music, and Movies

Deb has her bi-monthly infusion today, and also saw her doctor.  Last week she had a telephone appointment with her regular M.D. concerning a nagging and persistent cough she has had for a long time now.  It goes away, but this time it came back and seemed worse.  He prescribed some meds and got her an appointment (next January!) with an allergist.  Her rheumatologist thinks it might be related to one of the drugs she takes for her rheumatoid arthritis, so he told her to cut back on that one.  He checked her lungs today and all seems well.  I had a medical appointment scheduled for Wednesday, but it was cancelled by the retina specialist, who is only seeing emergencies.  This is the 2nd time my appointment was cancelled and rescheduled.  It is now reset for January, the day after Deb's allergist one.  Expecting a big snow storm those days.

It's been a very warm July, with many days over 30 C, and many of those over 32 C.  I managed three deep sky observing nights, which has kept my spirits up considerably.  I am into my 8th week of indoor fitness, which includes several types of walks on the treadmill, including incline ones, some light weight lifting, some stomach work, and stretching.  And the piano pieces have really come a long way in July.  I hope I can play some of them in August, but we are still in a stage 2 crisis here, with 20-40 new cases of covid-19 reported every day in our little county.  I have even began working on a solo piece for my next year's recital, a very difficult piece by Schubert that will take everything I have to pull off.  I also have a tough one by Rachmaninov planned for that recital, too, and hope to get started on it by September.

In listening news, we finished up Op 5 by Corelli and will soon begin his Op 6 Concerto Grossi.  The Haydn string quartets are continuing, as is the complete works of Brahms.  And we are amidst a new opera, this one being The Coronation of Poppea, by Monteverdi.  We finished up Wagner's earliest opera last week, "The Fairies."

Due to the luck of the draw, Deb gets to pick four movies in a row once every two months (so do I, on alternating months).  Her regular weekly pick last week was My Twentieth Centur, a 1989 film by Hungary' first feature film by a female director.  Ildiko Enyedi has constructed a type of fantasy film, merging it with a story set in the halcyon days of the 1880s, when Edison's light bulb was wowing the world, the telegraph was sending messages around the world in minutes, and the promise of a happy and prosperous future seemed to lie just ahead for one and all.

 Now showing on Criterion Channel.

 Marching band at night, with light bulbs on their heads.

Twin girls, falling asleep selling matches on a cold winter's night, are swept away to different destinies by benevolent strangers, who each take one of them.  Dora grows into a bit of a hedonist, seeking laughter, light, and all things shiny and glittery.  Lili gets involved with political revolution,and is much more serious and focused.  The girls unknowingly meet the same man and have affairs with him, before being reunited in the finale.  There are many moments of magic in the film, though it is all a bit unfocused itself, at least upon one viewing.  No doubt a second viewing, which wouldn't be a bad idea, would help clarify things a bit.  The Criterion interview with the director afterwards is very enlightening, also.  Needless to say, she had a tough time being a woman film director in Hungary at the time.  A very unusual film, but eminently likeable.

Deb did not choose a theme for her film festival, but rather three unconnected films.  The first one was called Mr. Thank You, from 1936 Japan.  It is a road movie, perhaps the very first one!  A group of people ride the bus from their seaside village to the train station, 20 miles away, that will take them to Tokyo.  The bus driver,whenever he overtakes a walker, rider, or other vehicle, always thanks the people he overtakes, and thus his name.  He is quite famous on his mountainous route, which takes the better part of an entire day to travel.  The passengers are mostly peasants, the scenery is often dramatic, and the camera work very advanced for the time.  This is a wonderful slice of life movie, a slice that we would have never seen, and that has long ago passed into memory.  Highly recommended.

 Now showing on Criterion.

Mr Thank You himself, and passengers.

Next came Golden Eighties, from 1986, by Chantal Akerman.  This is a very, very, very shallow film, and if it does nothing else, reminds us all through its painful presentation why no one remembers the 80s. Golden?  More leaden, methinks.  It is a musical, very colourful, and with some fine acting.  It is set in a section of a Parisian shopping mall.  That should be enough to alert the discriminating viewer.  But it gets worse.  It's a musical.  The songs are among the blandest, most instantly forgettable ever put on film.  The story is among the most shallow ever scripted.  Deb quit after about thirty minutes, but I took pain killers and carried on.  The film has a certain charm to it, and doesn't take itself very seriously.  But why would such an inventive director want to make this movie?  Why would she want her audience to invest time in its story?  A very unusual picture, one that is hard to pin down.  And I certainly am unlikely to forget it, no matter how hard I try.
 Now showing on Criterion.

The chorus girls.  

Lastly came Sidewalk Stories, from 1989.  Directed and starring Charles Lang (and his adorable two-year old daughter), it is a modern take on Chaplin, and mostly works really well.  Filmed in black and white, and filmed in the raw streets of New York City, it is also a hommage to the buskers and homeless people of that city.  The only time talking is used is at the very end, when the homeless speak for themselves, briefly.  If you like Chaplin (we do!), then this movie should be watched.

 Now showing on Criterion.

  The two stars of the movie.  

This weekend is Lammas, and we will be celebrating it on Sunday.  And Monday is the August full moon, so we get a double party whammy!  Usually we head off for the day into the countryside, but as of this moment it will be another indoor event. Hopefully I will post before then, so stop by often and see what we've been up to at Lone Mountain Homestead.  Thanks for stopping by.

Mapman Mike