Showing posts with label Forbidden Planet. Show all posts
Showing posts with label Forbidden Planet. Show all posts

Sunday, 18 August 2024

Oh The Pain! The Pain!

Dr. Smith may have had a delicate back, and so never did anything useful around the Jupiter 2 in Lost In Space.  Over the past week I have quite a full understanding of what real back pain is like.  Pain has not been a large part of my experience, though it is no fun getting pricked by a cactus or stung by a wasp.  I even broke bones in my foot one time, and that really hurt, too.  Usually Deb is in charge of receiving pain, with her RA causing all sorts of daily complications for her.  But last week was my turn.  I was sitting playing piano Wednesday morning as usual and was coming to the end of my first hour.  Suddenly it felt as if someone had knifed me in the back, left side.  With only five minutes left in the session I had to quit.  The pain continued to increase.  I couldn't sit, stand, or lie down without intense pain.  We called my brother Steve, who has had kidney stones pass.  It sounded just like a kidney stone.  We only had Deb's arthritis pain meds, so I took two of those.  Nothing.  Finally, around 1:30 I couldn't take it any longer, and she drove me to the hospital.  We arrived at 1:35 pm, and left at 10:30 pm.  Arriving patients take a number then sit and wait.  After one hour of excruciating pain, I was triaged by a nurse practitioner and assistants.  It was a very long hour, but they immediately gave me pain meds via i.v., as well as anti nausea drugs, as the pain was making me sick to my stomach.  The pain drug helped somewhat, but not that much.  It would recede for a time, then return in spasms of agony.  They also took blood and I gave a urine sample.  So things were moving along.  

I still had to sit in the tiny waiting room for another 3 hours before being put in an ER "room."  Half an hour later a doctor finally saw me.  He ordered i.v. fluids, more anti nausea drugs, and was supposed to give more pain meds, but he forgot before going off shift.  He also ordered a CAT scan.  A very long and very painful wait.  We finally hailed a nurse for help with the pain.  The original doctor had gone off shift, so now it was a new one.  This guy took my pain seriously and I was soon cramming pills down as fast as I could.  They finally helped.  We waited another hour to be taken for a scan, then nearly 90 minutes for the results (a 4 mm kidney stone was in there, all right), then a final hour awaiting release and prescriptions to be taken at home.  By the time we left the hospital (Met) we were both totally done in.  We had worn masks throughout the ordeal.  Today is Sunday and things haven't progressed much.  The pain is less today, however.  Yesterday I had an afternoon flare that quickly brought back unwanted memories.  I have a very serious pain killer pill to be used when needed.  At first they were needed lots.  I now have less than half left, anticipating more flares today.  Tomorrow we might be able to see my urologist.  More later.
 
Needless to say we've been watching some TV.  I am mostly unable to read without falling asleep, and find it difficult to read subtitles as well.  I have been mostly sleeping the past several days, and walking slowly around the house like a zombie in old pajamas.  So here are some of the things we've watched recently.
 
Guy Maddin is one of the great treasures of Winnipeg, Canada.  A filmmaker influenced by surrealism and expressionist silent film, he has made many films of unforgettable and legendary status.  A good place to start is his early feature Tales From The Gimli Hospital, from 1988.  If this shorter feature doesn't win you over, then probably none of his other films will, either.  The hospital is treating patients of an unknown and deadly plague, and one of the patients tells stories at night to entertain the nurses and other patients.  At times totally hilarious (think Monty Python) and even innocent, and at other times violent and sadistic, this b & w film (with some tinting) explores a type of visual experience never seen before 1988.  Maddin's originality and creativity are never in doubt, and his skills in film making are good enough to get the job done properly.  It is a film that once seen is never forgotten.  Highly recommended.  Gimli is an actual small community north of Winnipeg.  I hope I never have to visit their hospital.

Now showing on Mubi. 
 
State and Main is a film from 2000, written and directed by David Mamet.  It's an entertaining piece about a big budget film being made in a small town in Vermont.  The small town is a classic one, and there are some comic moments when the crew arrive and witness life there as it currently is.  Things soon change, however, once the stars arrive.  It stars Alec Baldwin as the alcoholic actor who likes teenage girls, and Philip Seymour Hoffman as the meek mannered writer of the script.  They hurriedly had to leave a previous town because of Baldwin's antics, and they are soon up against it again as a young woman allows herself to be seduced.  A touching love story develops between the script writer and the female owner of a local bookstore, who also directs the local amateur theatre company.  There are many fun moments in the film, and it is one of Mamet's more accessible projects, with equal amounts charm and biting satire.  Recommended.
 
Leaving Criterion Aug. 31st. 
 
Devil of the Desert is an Egyptian attempt at a swashbuckling romance film.  It is from 1954, is directed by Youssef Chanine, and once again stars Omar Sharif.  The plot revolves around loose tribes being bullied by a cruel and unjust ruler, and their rebellion being led by a young upstart (Sharif).  Though not up to Hollywood standards, it is often a fun film, and with better scenery than the usual back lot Hollywood affair.  It reminded Deb of a Hollywood low budget serial, but I found it to be well above that level, though a bit goofy.  Sharif is good as the stand in for Errol Flynn.
 
Devil of the Desert, on Criterion. 
 
Next came two short films, including one animated one.  That was a 45 minute film about a samurai, being episode 5 of a series called Blue-Eyed Samurai.  This seemed to be the part where viewers learn of the origin of the ronin, who is in fact a woman.  It is bloody, full of killing, and has the usual unlimited number of bad guys out to kill the lone good person.  To its eternal detriment, the film also features katanas that "shing" when removed from the saya, or scabbard.  It's worse (to me) that having throbbing engine noise and explosion sounds in space.  If you have seen samurai films, this one offers little that is new to the genre other than a blue-eyed female swordswoman.

The second short was a pretty funny surrealist one from 1924.  Entr'acte was directed by Rene Clair, has music by Eric Satie, and contributions by Francis Picabia.  The main part of the "story" centres around a funeral procession, led by a camel.  Some very clever moments, and some very funny ones, too.  The music is loud and bombastic, so we kept our sound pretty low.  A fun film to view!

Now showing on Criterion.

Yesterday I had a particularly painful day, barely able to walk or focus on much of anything.  So the two final films reported here are old standbys, and watchable probably even on a deathbed.  The first was Forbidden Planet, directed by Fred Wilcox and from 1956.  The Criterion print is pure perfection, and watching all the old scenes go by one at a time was again to witness a marvel of brilliant SF film making.  This is one of those films that never seems to get old, other than in its usual 1950s SF misogynistic manner, and its somewhat infantile special effects for the monster.  The backgrounds by Chesley Bonestell are still supreme works of fantastic art.  Why has there never been a remake of this film, with female crew members as well as males?  Actually, I would much prefer a prequel, a film series that shows the rise and fall of the Krell.  It could be fantastic!

Now showing on Criterion. 
 
Lastly came another early classic, one worth many viewings, too.  The Ladykillers is from 1955 and is directed by Alexander MacKendrick.  Just seeing Alec Guiness with those teeth is enough to cause anyone undue kidney pain from laughter.  Later, seeing him sitting very uncomfortably at the player piano during a tea time singalong with four old ladies and his four criminal cohorts is also not to be forgotten soon.  Simply the best comic crime caper film ever made.  Not a wasted moment here.
 
Leaving Criterion August 31st.
 

Mapman Mike.
 



 




 

Friday, 12 August 2022

The Prisoner (2009)

First some local news.  My tooth was repaired today, and it seems to be just fine again.  My wounded leg still looks terrible, but it is healing.  All bandages will come off tomorrow for a closer look.  And in some astounding news, the LTC home no longer has restrictions for visiting outside of the country.  So Deb will be able to come with me next time I cross the border for a day trip!  Yay!  And in Patti news, her older sister finally e-mailed me with a nice letter, bringing me somewhat up to date with Patti's life.  Nothing I wish to share here, but it seemed like a turbulent one, and perhaps not altogether happy.  She died of a heart attack at 60 years of age 8 years ago this month.  Thank you, Joanne!

In film news, Deb has decided to film a short SF story I wrote.  Pre-production is underway, as we try to whittle down the story to fit a short animated film.  It's a one character story, with only one major setting.  It will be a major project for Deb; most of my work is already done.

Of course we were fans of the original series from 1967, The Prisoner.  So when we first heard about a newer series, we watched it as soon as we could.  The six-part series is currently showing on AMC+, and we finished watching it yesterday.  Very little remains of the original project.  There is a village, there is a #2 and a #6, and they are in conflict over the idea of freedom and happiness.  Oh, and there is the giant white balloon that keeps people from escaping the village.

Now streaming on AMC+. 

I actually prefer the newer one to the old, which has aged quite badly.  It is a SF drama about a man fighting against a system that tries to smooth over differences, conflicts, and other rough patches one encounters in human beings.  #2 (Ian McKellen) is in charge of the village, trying to create a society based on wellbeing and happiness.  When #6 arrives (Jim Caviezel) he first tries to make him into the likeness he wishes him to be.  Eventually, however, #6 proves to be too strong, and he's sentenced to death.  However, with his failure to convert #6, combined with his failure to properly raise his son, #2 has a breakdown, and decides to leave the village in #6's hands.  Though no sequel ever came forth, it would have been interesting to see how #6's village came out.  Probably a bit on the messy side.

There is a lot of mystery to the story, and sometimes attempts at explaining things make things even thicker.  But that's okay!  It's good to have something on TV that isn't all totally explainable in the end.  But creating the village requires a full time dreamer, which changes the equation each time a new dreamer is brought in.  When #2's wife is called back to reality, the village doctor (#313, played by Ruth Wilson) takes over the job.  She has been trying to run away from a childhood trauma, with little success.  So perhaps her dream world will aid her recovery.  Or it might make a very dangerous village in which to bring forth freedom.  The series is highly recommended, and a rewatch is not out of the question.

On the Wondrium streaming channel, we have now completed our second course, this one on Archaeology of North America.  24 lectures just on US and Canadian archeological prehistoric sites.  It was brilliant!!  And tonight we watched a 90 minute 2015 documentary on that channel called Hieronymous Bosch: Touched By the Devil.  It's a behind the scenes look at putting together a centenary exhibition of the artist's paintings and drawings in his hometown of Den Bosch.  A truly remarkable film, it takes viewers right inside the details of most of his paintings.  The Prado also had a major exhibition that year, creating some conflicts.

Now streaming on Wondrium. 

And now for my two movie picks for last week.  We begin with another interesting mess directed by Terry Gilliam.  The Imaginarium of Dr. Parnassus is from 2010, and follows the fortunes of a one coach, two horse travelling sideshow.  Dr. Parnassus is very, very old, and he has bargained with the devil for a longer life.  Of course there is a catch.  And of course he tries to beat the catch.  The film has some wonderful visuals and stunning special effects.  However, Tom Waits makes a terrible devil, and the director often goes overboard and tries to channel Monty Python a few times.  It's difficult to pinpoint where the film really fails, but it's likely in the telling of a story, which seems to get blasted apart too many times to keep putting it back together.  Worth watching for fans, but not the masterpiece it could have been.

Now streaming on AMC+. 

Yesterday was Full Moon, so it was party day/night.  It was clear, as per usual this summer, and we did see the moon eventually, through the trees.  We undertook two major projects.  The listening one was the opera Salome, by Richard Strauss.  Based directly on the play by Oscar Wilde, this is one fantastic opera!  With probably one of the best Biblical stories ever, Strauss came up with an impressive masterpiece, all taking place during the night of a full moon.  By and large I am not a fan of Richard Strauss, but I am of this opera.  With an orchestra of 100 musicians (Vienna Phil. conducted by Herbert von Karajan, with Hildegard Behrens singing the lead), this is a must hear opera.  What a world!!

And we also watched my 2nd movie choice of the week, all in one sitting.  Forbidden Planet is the quintessential 1950s SF movie, and we have seen it many, many times.  This Criterion edition was in mint condition, and the Cinemascope production is jaw dropping in its scale, beauty, and concept.  And it's got Robby the Robot, and Ann Francis is the shortest, tightest dresses one could ever imagine (all manufactured by Robby).  Two things are badly needed here: a remake, and a prequel.  Are you reading this, Steven Spielberg?

Now showing on Criterion until August 31st. 

Mapman Mike