The Golden Barge
is a dark fantasy novel from 1979, and is 120 pages long (189 pages in
the paperback edition from 1979, above). It is a flawed work by Michael Moorcock, but
quite interesting nonetheless. A man, Tallow, heads down river in a small
boat, following a mysterious golden barge. He can never quite catch it,
though, and his adventures along the river make up the bulk of the
book. He sees it one day at home, and soon abandons his mother to follow the mysterious boat. He comes
across a castle and becomes involved there with a beautiful woman.
Later he becomes imprisoned in a city, held "for his own good." After
escaping, his adventures continue, and include becoming involved in a
small country's revolution, finding an abandoned baby, kidnapping a
young boy who he thinks can help him find the barge, and he even makes a quick
journey across dimensions to a mysterious fairy land.
I
believe that Moorcock was inspired by Lin Carter's fabulous Ballantine
Adult Fantasy series, and if the series had continued no doubt Carter might
have published this one as part of it. A bit like Dunsany and a bit
like Fletcher Pratt, and a bit like many others, including William
Morris. In turn, Moorcock may even have influenced P. J. Farmer in his
memorable Riverworld series. What is this strange tale all about? Firstly, we
all make a voyage, and it is called Life. Along the way we make
choices, choices which not only affect us, but others around us. Tallow
makes some very poor choices, some very selfish choices, and he is the
cause of much death and tragedy around him.
Cover of the month goes to Amano Yoshitaka. The volume contains short stories, novellas, and a novel, The Golden Barge. Next month I will report on the shorter fiction.
Tallow
seems to be searching for something mysterious, hoping to find it
aboard the barge. What does he hope to find? Inner peace, for one
thing. His urge to keep searching is so strong that he cannot turn it
off after a time, even though he has had more than enough opportunity to
do so. He is a man in search of a soul, in search of his own humanity,
which continues to elude him at every bend in the river. He is so
deeply lost that he cannot find his way out, and it is difficult to
blame him for the bad things that happen because of his choices. He is
what he is, and seems incapable of change. Do you know anyone like
that? I'm certain that you do. They are everywhere among us, causing
pain and destruction as they blindly follow their own path, unseeing as
they go. Moorcock has created one of the strangest fantasy characters
ever penned. If nothing else, Tallow is unforgettable once you have met
him.
From
1973 comes Malzberg's Night Raider, the first of 14 volumes about a lone man trying to
end the drug scene in New York. Good luck with that. One would have to
be a murderer, a sadist, and a masochist. Bert Wulff fits the bill. A
former Vietnam vet, he becomes a drug cop in New York. But because he
tries to play it straight, he makes few friends around the department.
He is shipped back to a patrol car, and is called to the scene of his
girlfriend's death, apparently killed by an overdose. He knows that she was not a user,
and suspects the cartel of using her to get back at him. Not likely.
More likely it was the NYPD that set it all up. This might be made
clear later, but in this first volume he goes after the cartel, after
turning in his badge. Malzberg
takes us on a journey in this first book, as Wulff begins with the
small fry. The street corner pusher has to pay off his collector.
Wulff captures them both, tormenting them until they give the name of
who they report to. After disposing of them, he goes up the line. And
so on, until he gets the top man that we know of so far. Six murders
later, he still hasn't done much to clear up the street drug trade. But give him
time. Though he is a lone wolf, he gets some help from a black rookie
cop who partnered with him for a time. Wulff
is tough as nails, and reminds me a bit of a loose cannon version of
Doc Savage. The book is filled with violence of the vigilante kind, and
moves along smartly. It is an easy read, and follows a logical path up
the chain of command. There are virtually no women in major roles in
book one. This is a man's world. It is a guilty pleasure to see the
big men squirm under Wulff's unkindly intentions towards them, after
acting so self assured and superior prior to meeting him. Not great
writing, but I'm sure the style will evolve.
Moving on to books by non Avon/Equinox authors, I began with F. Marion Crawford's second novel, Dr. Claudius,
from 1883. Approaching 400 pages in length, it is a sprawling tale of
love and high seas adventure, in the high tradition of such writers as E
R Eddison. Women are to be adored and waited on hand and foot by men
of the highest moral standards, preferably rich ones. To be called a
gentleman is likened to be called one of the gods, and indicates a man
of unquestioned moral standards, and usually wealthy to boot. Though at
heart it truly is a love story, in detail this is a very amusing
and highly likeable adventure. It begins in Heidelberg, with philosopher
Dr. Claudius living an isolated and scholarly life among his books,
living in cheap and crowded rooms. He comes upon a large inheritance
from an uncle living in New York, though he has no plans to change his
lifestyle or use any of the money. Amusingly, this is no grey beard
scholar, but a very tall, handsome, and sturdily built Swede. A chance
encounter with a beautiful woman on one of his private walks changes his
entire outlook, and, of course, his life. We get to cross the Atlantic on a steam yacht, and then we spend the rest of the story in New York and close by. Though this is one of those books where very little actually happens, it encapsulates a lot about life in its humble pages. Crawford himself was a friend to Isabella Stewart Gardner, and the woman in the story likely represents such a woman. Rich reading, and rewarding.
The Blessing Of Pan
was published in 1927, and is Lord Dunsany's 4th novel. His first
three novels, and many of his short stories, were published by
Ballantine in the Lin Carter Adult Fantasy series back in the 1960s and
70s. Had the series continued, Carter undoubtedly would have also
published this gentle fantasy, about a parish vicar trying to save his
flock from reverting to Paganism. Like the other novels by this writer,
I seemed to hit spots that were hot then cold. Sometimes I felt that
he was heading in exactly the right direction with the story, when it
would take a sudden turn and I thought he was losing the thread. But
alas, Lord Dunsany knew better than me how to write a delicate tale
about ancient practices returning to supplant Christianity in one small English village, and by
the end of the novel I was convinced I had read something very rare,
precious, and unusual. Think of this as a kinder, gentler "Wicker
Man." The moods that this writer can create, evoking other times and
other sensibilities, is most remarkable. His descriptions of
encroaching evening, and of the dawn, are rich beyond what words should
be able to conjure. There is humour in the tale, and much wisdom. A fun book to read.
T. S. Eliot is a long way from Dunsany, I read his chapbook collection (twice) published in 1917 called Prufrock and Other Observations, which includes 12 poems written between 1910 and 1917. Born in St. Louis, he moved to England at the age of 25 (1914), settling there and eventually renouncing his American citizenship. The lead poem of the set is "The Love Song of J. Alfred Prufrock," a man who seems to be in the skids emotionally, physically, and spiritually. It can be seen as a devastating look at life in the modern era, and the loneliness and isolation that can ensue. The opening ten lines seem to encompass an entire modern novel! And much later:
"But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter.
I am no prophet--and here's no great matter,
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid."
The other poems don't really compare to the main poem, though a few are humourous ("The Boston Evening Transcript," and "Cousin Nancy," and a few are quite profound, and several have lines that are entirely astounding. Then there is the bizarre "Hysteria," which is a bit hard to describe, as a man watches a woman have a laughing fit. The first poem, at any rate, is worth many more readings.
Next came 2 volumes of short stories by Nikolai Gogol. Published in 1831-32, there are 4 stories in each volume, the whole called Evenings On A Farm Near Dikanka. Gogol was born in the Ukraine, and grew up there. These tales of peasant village life are among the best short stories ever written! Having said that, there are small but blatant examples of anti-Semitism in nearly every story, despite there being no major Jewish characters.
Vol. 1
"The Fair At Sorochinsti" is a straight forward tale about a young girl's first visit to the big wide world, as she, her father, and her stepmother visit the annual fair together for the first time. Being 18 and sweet to behold, the young girl soon attracts the attention of a handsome young man, who determines that she must be his wife. However, getting past the wicked stepmother is not an easy task. A funny tale that keeps one reading until the very end. The incredible superstitious fears of villagers is introduced in this story, which will blossom forth in future tales.
"St. John's Eve" is a story about the devil and how he was able to talk a young man into doing his evil deeds, in exchange for enough gold to wed the village girl whom he loves. The story is framed humourously, but the tale itself is a classic horror one, with a very sad ending.
"May Night" nails down several aspects of Ukrainian village life. Courting a girl is given top priority in this tale, as are the village night pranks of youths, both male and female. Another supernatural tale makes its way into the narrative, and capturing an evil witch finally allows the village headsman's son to marry his girlfriend, Hanna. Obviously Gogol is writing down some of the tales he heard growing up, preserving them for future generations, and building his narrative around such tales. Wonderful atmosphere, with simple and direct writing.
"The Lost Letter" is another tale of the devil and witchcraft, and again not without humour. A village man is given the task of delivering a letter to the Czarina in the capital city, and rides his horse towards completion of his goal. He encounters the devil on the way, and has a very funny conclusion to his first attempt at delivering the letter, ending up back at his house, but up on the roof. His second attempt is successful, however. A grandfather tells this story to his grand kids, after much coaxing, as he does not relish the memory of it happening to him. A gem of a tale.
Vol. 2
"Christmas Eve." Many of these stories (this one is a novella) are very much like paintings by Marc Chagall--they are colourful, bizarre, folk-like, whimsical, and different from most other short stories in many ways. This one might have been called 'The Enchanted Blacksmith,' as a young man goes far out of his way to win Oksana, the girl he desires. His mother is a witch, the devil helps him get the Czarina's slippers, and all of this (and much else, including a lot of mayhem) takes place on Christmas Eve. Expect the unexpected in these totally delightful early tales of Ukraine village life, seemingly unchanged from medieval times.
"A Terrible Vengeance" is a serious novella lacking any humour, and featuring some truly evil deeds. A warped sorcerer wants to marry his beautiful daughter (I warned you), even though she is already married and has a baby son, and he goes to some pretty sick lengths before disaster strikes one and all. An epilogue explains how it was that the sorcerer finally met his doom. Grim but fascinating reading.
"Ivan Fyodorovich Shponka and His Aunt" is an incomplete novelette about a shy man retired from the army who returns to his family farm to work on it. His aunt has been looking after things for him, but she can no longer manage it on her own. She wants to see him married, but he is too shy and doesn't want anything to do with it. The story ends abruptly, hinting at a continuation which never came.
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