A personal blog that discusses music, art, craft beer, travel, literature, and astronomy.
Sunday, 9 February 2025
More Winter
Friday, 21 April 2023
Swamped
It's been busy around the old Homestead lately, but things are getting back on track. On top of everything else, we lost internet for two days due to a faulty modem. A new one was sent out and we are back to normal. Astronomy has died for this lunar cycle, as a week of clouds and rain settled in last Sunday. New moons around here always seem to be cloudy and hopeless. I've come to expect things to go that way. However, I managed to get out 5 times in April, and each one was a fun and exciting outing. One of those outings was quite breezy, and I got to use my vast repertoire of profanity that night. But the others were perfect, and even warm!
And the road trip blog is now complete. Just click on the Road Trip link in the left margin to read a 5-part blog about our recent travel adventures. Two new pictures were added to part 4 last night. Many parts of the trip still resonate nicely, as any good trip should.
In Homestead news, routine medical appointments are on going. Deb's new glasses are ready for pick up tomorrow. Our furnace got repaired to the tune of nearly $500. Deb purchased a new computer for her film work, and donated the old one for our desk top use. Everything has been transferred over thanks to her. And I have a new cell phone, again thanks to Deb's patience with technological affairs. The old land line in the house is now gone, with that number transferred to my phone. We are actually saving money by doing this. And speaking of phones, the new American phone worked perfectly on our trip. American monthly plans allow users to save data not used each month, so we had plenty of data to use on our trip. This meant keeping an eye on traffic buildup and construction, as well as weather. So for now, our technological existence is going well.
In film news, here is the latest.... Deb still had a couple of choices left from her festival. First up was a very delightful tale called Hunt For The Wilderpeople, from 2016. A man and a large boy head for the bush when the boy is threatened with being taken back into social care. They are chased by authorities, but find lots of sympathetic helpers along the way. The movie is funny, well acted, and well written. Being a film from new Zealand, some of the dialogue is a little tricky to understand, but the movie is highly recommended, even though it goes a bit over the top at times.
Leaving Criterion April 30th.
Wednesday, 4 January 2023
Last and First Men: The Movie
Springlike weather continues, though near the Detroit River it has been perpetually foggy. I haven't seen a ship pass by in days now, but they can certainly be heard. Foghorns are sounding nearly every minute at certain times.
In music news, I have succeeded in gathering a small group of performing pianists to meet occasionally to try out pieces on one another. So far there are 3 of us, but this could easily grow larger quickly. First meeting is tentatively scheduled for the morning of January 23rd. Looking forward to it!!
In further music news, we were able to locate a recent film based on Olaf Stapledon's 1930 novel First and Last Men. Conceived originally as a multimedia presentation with images, a narrator, and music, the film worked its magic for us from the opening shot to the closing one. The film and music is by Johann Johannson, from Iceland in 2020. He shot the incredible black and white (!) photography mostly in Yugoslavia, at a sculpture park in the mountains, and composed ambient music that is nothing short of alien and futuristic. Tilda Swinton narrates, speaking words of Stapledon's that give a sense of the final part of the book. There is no way that the entire book could have been filmed in one go. Johannson died shortly after the film was made, thus destroying any hope for more chapters from the most incredible SF book ever written. Now it has a suitable film companion.
Now showing on Mubi.
We made some fun discoveries this week as a result of chasing down a copy of this film. One of them is a streaming service called Mubi. It is a good partner for Criterion, though this one does not have as large a library. Still, there are enough films now in our queue to keep us going for months, even if we stopped watching Criterion (which we hopefully never will). Another discovery we made was Spotify (I know, but we're old; these things take time for us). Here we found the album of music from the film, and have now hooked the computer via Bluetooth into our stereo.
We originally got into Spotify by reading a recent article in the Guardian. One of the writers has selected a different short piece of music to listen to every day in January, and in the article there is a direct link to the piece on Spotify. Except that yesterday's (the 3rd) was on Youtube, and it came with an accompanying animation. Fun stuff!! So we now have a long listening list awaiting in favourites on Spotify.
Getting back to films, I finished up my December Film Festival with two more by Jasujiro Ozu. Tokyo Chorus is a silent film from 1931 that follows the life of a young man. Seen first as a student in a military type school, he is later encountered as an insurance salesman who loses his job when he stands up to the boss over the firing of an older employee. There is comedy mixing with drama, and the picture is easy to watch.
Now showing on Criterion.Lastly came a 1936 film called The Only Son. Leaving his small village for Tokyo, a young man goes to seek his fortune. His mother has sacrificed everything to pay for his education. When she pays a surprise visit to him, she finds him married, with one child, and teaching night school. She is not impressed, until she sees him act kindly towards a poorer neighbour. She goes back home with good memories of her visit. Back at home, the young man has decided to continue his education so that he can get a better paying job. Ozu's films are always intelligent, and never stretch things beyond what might likely happen in a certain situation. He is excellent at establishing character, and at getting across emotions in people who are usually reluctant to show what their true feelings really are.
Now showing on Criterion.
Deb's going away choice for this week was a Sam Fuller western called Forty Guns. It stars Barbara Stanwyck as a rancher with forty hired guns as helpers, and she mostly gets her way in the world. The opening scene, with Stanwyck riding hard and followed by her tribe, is very much like watching the opening to Ali Baba and the Forty Thieves. The characters of both are very similar, too. A Federal marshal comes to town to arrest one of her helpers for robbing the mail. Things get tense, people get shot, and the bad guys stir things up. An unusual western, with Stanwyck doing her usual fine job in the leadership role. Unusual scenes include the outdoor town baths, complete with singer and guitar player, and dinner time at Stanwyck's ranch, among others. Filmed in b & w Cinemascope!
Leaving Criterion January 31st.Mapman Mike
Saturday, 25 April 2020
Dreary Days
“Brig upon the Water” created a sensation when it was first exhibited at the Photographic Society of London in December 1856, because it was reported to have been printed from one negative. Such an achievement was considered extraordinary, because the light sensitivity of the materials used was very uneven and typically yielded either well-defined scenes with completely washed-out skies or very dark, unreadable scenes with well-developed skies. To fuse the sky with the scene the photographer usually either in-painted clouds by hand or printed twice, using one negative for the sky and another for the scene. Perhaps Le Gray succeeded with this seascape because he kept the composition simple. Here the exposure time for the sky and water was equal, and the brig, while dark indeed, appears as an appealing silhouette."
Mapman Mike
Tuesday, 17 September 2019
Summer's Last Hurrah
Today is my mom and dad's wedding anniversary. I talked to them both this afternoon, and they are getting on fine, though not looking forward to another cruel winter spent indoors. Enjoy these last days of summer, and with luck it will be a mild autumn, too. Have a happy day!
Deb's movie pick last weekend was another Barbara Stanwyck flic, this one called Forbidden, from 1932. It also stars Adolphe Menjou. Not one of her best films, nor Frank Capra's. It was based on a story by the director. At least it was short.
Speaking of films, Deb went to Shetown in Detroit on Sunday to see her film screened. That same day the same film was also screening in northern Michigan, and a different film of hers was showing in Europe somewhere. Hard to keep track of her successes these days. She won the audience award last week for a short film of hers that showed in Cadiz, Spain! One would think we would be rich beyond our wildest dreams by now. I wonder what Deb is doing with all that award money. She certainly has a lot of certificates and laurels.
I'll try to find time to fit in a DIA painting next time--Canaletto, anyone?
Mapman Mike
Friday, 6 September 2019
Retirement
Friday, 23 August 2019
Clear Nights Ahead
Monday, 5 August 2019
Two Criterion Films
Monday, 20 May 2019
Two Films and Lots of Rain
Mapman Mike






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