Showing posts with label Antonioni. Show all posts
Showing posts with label Antonioni. Show all posts

Thursday, 5 September 2024

Out Standing In My Field

Yes, it's astronomy season again.  Reading and sleeping have gone by the wayside.  This past week saw 5 clear nights in a row.  I was able to use three of them, as I need a day in between to recover from late nights.  Also, it is a 50 minute drive each way, which can be tiring.  But I have satellite radio and usually listen to NPR, CBC, or BBC World, so the time passes relatively quickly.  I might snag one more night before the moon is too bright.  Although we have a clubhouse and observatory slightly closer to home, the light pollution is so bad there now that I seldom even consider going there.  Instead, I park my self between two giant windmills on a narrow dirt road amidst soybean fields.  When harvest comes around I have to scoot elsewhere, or be blinded by combine lights.  No one has ever bothered me out there, not even the coyotes that often howl as they pass by.  I recently cleaned the mirror and reset it in its casing.  It made a huge difference this week to my observing program, too.  The mirror eventually gets coated by dust and loses some of its ability to gather light, so periodic cleaning is necessary.
 
As I said above, my reading time goes out the window during a run of clear nights like this.  At night I am under the stars, and my afternoon reading time is usually spent napping.  So I am still reading the first book, a non fiction by Silverberg. 
 
In other news, film festival weekend has arrived, and is now being spread over two weekends.  As things work out I get five choices in a row.  We began with a strange little 1960 Italian film starring Marcello called Il bell'Antonio, about a handsome man who attracts women to him.  He thinks he will never marry until he sees a photo of his supposed intended, played by Claudia Cardinale (21 years old in the picture).  He falls madly in love for the first time in his life and the wedding takes place.  However, because he is really in love with her, he is unable to consummate the marriage.  No problems with flirts and whores and even the maid, but not his wife.  This is really an oddball film, attacking society, the church, and marriage itself.  To Marcello, making love to his young wife would be like making it with a real angel.  He is unable to get past his sexual block when with her.  Of course annulment comes soon afterwards, and he is ridiculed.  There are several lighter moments, too, and the film was shot mostly in Sicily.  Well worth a look, especially the restored version.
 
Now showing on Criterion. 
 
One of the house rules for film selection is that at least one choice must come from the "leaving soon" selection on either Mubi or Criterion.  I chose a 1943 comedy directed by George Stevens called The More The Merrier, starring Joel McCrea, Jean Arthur, and Charles Coburn.  Not only is there a shortage of men in wartime Washington, D.C., but a critical shortage of housing, too.  The film has a lot of fun with both shortages when Jean Arthur sublets a bedroom in her apartment.  Watch how Coburn walks past the long line of people waiting outside to interview for the room at 5 pm, and takes the place for himself.  Today, exactly the same gag could be done with people staring at their phones as they wait; in 1943 they are all standing there reading their newspapers.  This is one of many funny gags.  Coburn's missing pants provide another.  Coburn then ends up letting half of his bedroom to McCrea.  Quite a fun picture.
 
Leaving Criterion Sept. 30th. 
 
Lastly came out first viewing of Blow Up in five or six years.  Criterion just got it, along with La Dolce Vita (see next blog).  Antonioni created a cultural icon with his 1966 film, still one of the best looks at swinging London ever put on film.  Though the main story about a photographer that unwittingly captures a murder on film is still the central element, there are so many distractive scenes and sidelines that one always discovers something new.  Such scenes include, but are not limited to, the visit to the old pawnshop and the purchase of a giant propeller, the sexually playful scenes with the young girls who want to be models (Jane Birkin is the blonde; she was 20 but could easily pass for 16), and the brilliant Yardbirds club scene.  These all contribute hugely to the overall effect of the film, though not directly involved in the plot.  Because of being over budget many scenes relating to the plot and its explanation were left out.  Thank goodness.  The film is a masterpiece as it stands.  One of my favourite films of all time.  Can you hear the tennis ball at the very end of the film?
 
Now showing on Criterion in a beautiful restored print. 
 
Mapman Mike

 



 


 

Friday, 3 December 2021

Celebrating Weekends

Since full retirement for me at the end of August 2019, my life has been one extended long weekend.  And yet so ingrained is the ritual of having two days off work (though not always during school teaching, when we often spent music time with students on weekends), that I still continue it today, though mostly tongue in cheek.  Deb has returned to a sort of half day work week, three times each week.  The only time she gets two days off from visiting the home where her mother resides is on Thursdays and Fridays.  So her weekend begins Wednesday night, and ends Friday night.  I am able to stick to the old schedule, so my weekend begins Friday night and ends Sunday night.  How are my weekends different from the regular work/play week?  They differ very slightly.  On Friday, after my final hour of piano practice, I announce that my weekend has begun.  Deb rolls her eyes.  Saturday nights we watch DSO Live From Orchestra Hall at 8 pm, pretending we are in Detroit and watching the concert there (more about visiting Detroit for real in a moment).  Sunday mornings we have a special breakfast and listen to a Bach Cantata as we eat.  Deb makes waffles one week, and I make French toast the next week.  Sunday is also the day I do the laundry.  And that's about it, folks.  The party is 24/7 around here, let me tell you.

Deb has received her 3rd Moderna vaccine shot, and I will be able to book my 3rd Pfizer beginning December 13th.  Once I triple fully vaccinated, I will consider a day trip to Detroit to visit the DIA, and stop and pick up some ale at a favourite taproom/shop.  Canadians can now visit across the border without having to have a test in able to return.  A phone app must be downloaded to show when returning as proof of vaccine.  They don't accept paper.  This may all change yet again, due to the Omicron variant, plus the fact that Michigan is one of the world's hot spots now for Covid.  Nothing can ever be certain until the world is 100 % vaccinated.  In other words......

There are three film views to briefly report.  Deb's going away choice was Kazan's 1976 The Last Tycoon, with a terrific performance by Robert De Niro as a successful but bullying Hollywood studio boss.  It has a cast filled with big stars, including Tony Curtis, Jeanne Moreau, Robert Mitchum, and many others.  The film starts out okay but really bogs down once De Niro falls for a beautiful face, and can't live without the woman.  However, she can live without him, and eventually does so.  It's an age old tale, retold yet again.  There are a few fine moments, and it's fun seeing all the famous faces, but overall this is not so great a film.

No longer showing on Criterion.

Antonioni's 1982 Identification of a Woman has a story that isn't too far off Kazan's.  A directionless movie director walks around for two hours not really knowing what he wants (besides sex, of which he wants a lot, and we get to see most of it in graphic detail), and ruining his chances with women every chance he gets.  He is an older man, selfish and set in his ways, and not liable to change any of them for anyone.  There are some lovely shots of Rome and Venice, some great interior shots, and far too many sex scenes.  We more or less get the point after one such extended scene, but I guess the director really wanted us not to miss out on any fun.  The editing in this film is often bizarre, jumping abruptly from one scene with two people to the next day in a scene with the same two people.  Not a film I would likely rewatch.

Now showing on Criterion.

1975's Dick Richards' film Farewell, My Lovely stars Robert Mitchum as one of the best Philip Marlowe actors ever seen.  He is so perfect in the role, and the script allows much more of Chandler's wit and insight that ever seen before.  Moose Maloy hires Marlowe to find his "Velma."  The plot thickens, is stirred, shaken, and tossed about, and Marlowe ends up with several bumps on his head, and a few other inconveniences besides.  Charlotte Rampling makes a perfect stand in for Lauren Bacall, and there are some great old cars, too.  Quite an amazing film! Also starring Harry Dean Stanton and Sylvester Stallone.

Showing on Criterion until Dec. 31st. 

Mapman Mike

 

Sunday, 11 July 2021

Weather Day Similies

Today is a "camp" day, or "Lake Penage" day.  It is mild, rainy, and very grey.  We happily survived many such summer days at our camp on the lake west of Sudbury.  We built the camp when I was ten, and I spent all my summers there, including the first several years Deb and I were teaching school in far away Southern Ontario.  Indoor activities were limited in those days.  Later there was TV, but before that there were playing cards, and bad board games.  Of course reading and writing were popular with us, as was sitting on the screened porch and looking out at the lake and distant La Cloche Mountains as the all day rain came down.  So today, watching the rain out our front windows, I am think about camp a lot (it was sold by my father many years ago).

The previous two days here at the Homestead were sunny, very dry, low humidity, and cool (low 70s F).  These I refer to as New Mexico "high altitude" days.  The weather in late August above 8,000' is very much what is was like here on Friday and Saturday, a break from the stinky heat and humidity we have had recently.  Those days are simply called "Windsor" days.  They are uncomfortable and usually unhealthy.  Other simile days around here include "London" days (chilly and very damp), "Detroit" days, grey and low visibility (when Detroit does not look its best), "tropical" days, with heat, storms, and heavy rain, and, of course the several "Arctic" days we get each winter.  So far we have escaped a major storm here (though the flooded Detroit freeway from ten days ago just reopened), and severe heat (usually 100 F or above).  But the summer is young.

In music news, our listening program continues.  We are finishing up with all the Haydn records we have (a slew of them), still working on the Baroque LPs (Vivaldi currently), the complete works of Beethoven (CDs), of which we are currently at Biamonti #153 (of 849!).  We are currently amidst the Opus 9 String Trios.  And then there is the complete works of Bach on CD.  Every Sunday we listen to a Cantata during breakfast, and during the week randomly listen to different sections of the enormous box set.

With Phase 3 of Ontario's reopening plan coming this Friday, I will feel comfortable inviting people inside again for a recital.  I need to play these pieces very badly, having had them on the back burner since October.  Hopefully I will be performing again before July is finished.

Turning to art for a moment, here is another graphic art landscape from the DIA.  Early Flemish painters often used a popular religious scene as an excuse to paint a beautiful landscape.  The Flight Into Egypt falls neatly into this category, as we get to witness a Bruegelesque mountain landscape of breathtaking scope and imagination.  If this were in a Dover colouring book, I wold set out with my pencils to colour it. 

The Flight Into Egypt, 17th C.  Lucas Van Uden, Flemish (1595-1673). Etching and engraving in ink, on laid paper, 9" x 13".  Collection Detroit Institute of Arts.

Detail of above.
Detail of above.

Detail of above. 

Lastly we turn briefly to movies watched recently, all on Criterion.  La Notte is a 1961 film by Antonioni starring Marcello, Jeanne Moreau, and Monica Vitti.  It's another almost Zen-like movie where nothing much happens for much of the film.  Marcello and Jeanne have lost the spark to their marriage, and Jeanne wanders the city of Milan for an afternoon, exploring the city alone, much like a modern woman might do (though this wasn't done very often in 1961 Italy).  Marcello flirts with Monica at a large party, but she rejects him as he is married.  A very strange film, like its predecessor L'Avventura.  It strikes out into new cinema territory, and you will either like it or you won't.  We both liked it.

Now showing on Criterion. 

My leaving July 31st selection was the classic 1930 film The Blue Angel, directed by von Sternberg and starring Emil Jannings and Marlene Dietrich.  Though its tale of a college professor ruining his life over a dance hall girl is quite dated, the emotional impact of the film still vibrates.  The version we saw was 1 hr. 47' long, but it still seemed a bit rushed towards the end, when the professor's downfall came.  Jannings gives a brilliant performance, while Dietrich...well, let's just say that she has incredible thighs, along with an overall look about her that is perfect for the role of Lola Lola.  The little nightclub is such a wonderful dive bar, and the earlier, chubbier girls on the stage are really quite fascinating, especially compared with the much more slender  and bland ones that dance there five years later.  Glad I finally got to see this.

Leaving Criterion July 31st.  

Next time I will talk a bit about some of the games I have been playing lately, including card, board, and computer types.  Till then, adieu.

Mapman Mike




 

 

Saturday, 3 April 2021

Clear Nights, and Some Cloudy Ones

I have had two outings already in the April session, Thursday and Friday.  And it's clear tonight, but the sky is pale and smoky, so I am staying home.  Spring skies offer unprecedented views of other galaxies, and I have had an eyeful lately.  With daylight savings time I can't begin observing until 9 pm, so my nights get later and later now through summer solstice.  I am currently undertaking observations in Sextans and Coma Berencies, both areas loaded with galaxies faint and bright, small and large, and everything in between.
 
I took a short break from practicing piano earlier in the week, and it helped my sanity.  Our province has just imposed further restrictions once again due to rising Covid cases.  There will be in place for at least another month.  Vaccinations continue to slowly move ahead.  Deb and I are scheduled for Wed. April 7th.  We shall see.
 
In movie news, here are my two picks for last week.  My main pick was Red Desert, from 1964.  There are several movies by Antonioni that I can never get enough of, and this is one of the them.  His first colour picture, this one belongs to Monica Vitti all the way.  She plays the part of a woman having a perpetual mental breakdown.  Married and with a young son, she has been in a car accident, hospitalized, and is on a downhill path in her life.  She reminds me of a bird that has struck a window, and is dazed and confused afterwards, and possibly permanently damaged.  Her furtive movements, looks, and her deep insight into such a woman's troubled mind makes for a film that is hard to watch sometimes, but is astounding most of the time.  It came with several short extras, including interviews with the director and with Monica.

Now showing on Criterion.  
 
From the leaving April 30th file I chose an odd duckie of a film starring Dick Powell and Adolph Menjou called The Tall Target, from 1951.  It purports to tell the tell of a New York policeman's  efforts to stop the assassination of Lincoln before his presidential inauguration.  It all takes place on an overnight train journey from New York to Washington in March 1861.  It ends up being a typical Hollywood thriller, with Powell as cardboard an actor as could be.  It is interesting historically, since modern American politics looks pretty much the same today.
 
Showing on Criterion until April 30th. 
 
And now, at long last, I return to the world of fine art!  It's Spring, so how about a Spring photo from the DIA's collection.  It could also be called "I Miss Detroit."  I love this man's work!
 
Marjorie East, From The Zone.  2009, printed.  Scott Hocking, American, born 1975.  14.4" x 22".  Collection Detroit Institute of Arts.  
 
And I can't resist another one by Scott.  This is one of the most sublime images I have ever seen.
 
Roof Marsh, Roosevelt Warehouse, Detroit, 2008.  Scott Hocking again.  22" x 33". 
 
It's images like these that make we almost wish Detroit wasn't improving so quickly.  This whole area is under full redevelopment currently.  Alas, no more marsh....
 
Mapman Mike
 
 
 
 

 

Tuesday, 8 October 2019

Doctors and Movies

It's likely the most perfect autumn weather week one could ever hope for.  After Deb's annual dental check-up and cleaning today, we walked across the university campus to a cafe with good vegan options.  We shared a bowl of pumpkin/beet soup, which was blood red, and a seitan sandwich.  Everything was excellent and inexpensive.  We also visited a new branch of the Windsor Public Library, occupying an old fire station in downtown Sandwich.  We lived in this area for four years when we attended university, from autumn of 1976 through summer of 1980.  We are often in our old stomping grounds, and today we enjoyed a great walk and a really good tour of the new library branch.

Besides her dentist, Deb has seen her shoulder doctor recently, two of her heart doctors, and a gynaecologist.  Her model year wasn't the greatest, as many parts are wearing out, and it's tough to get replacements.  Her shoulder doctor was very impressed with her progress since her surgery at the end of May.  Flexibility is good; now she must work on strength.  As far as her heart goes, we are in a holding pattern, awaiting word from London regarding a second catheter ablation.  And some laser surgery seems to be forthcoming for another matter.  So we have spent a lot of time lately driving back and forth to Windsor for appointments, and waiting in doctors' offices.  All done now for awhile, except for some physio appts.

Deb's movie choice last weekend was a 1926 silent animated film, called The Adventures of Prince Achmed.  It is pure visual poetry from start to finish, and the version we saw on the Criterion Channel was first rate.  It is a spellbinding adventure, using a process invented by the creator, Lotte Reiniger.  We had seen it many years ago, but I think in a very bad print.

 Deb's recent  film choice, from 1926.  Spellbinding!



 Three stills from Prince Achmed.  

Tonight we watched my choice of film.  I wasn't in the mood for anything, really, as I am behind on a few other projects.  So I picked Blow Up of Blow Up, from 2016, a documentary about the making of that great film, still a favourite of mine after all these years.  It runs less than an hour, which was perfect for me tonight, and is a great little film if you have seen the 1966 Antonioni film as many times as I have.  We get to visit all the locations, and talk to many of the people who were in the film and those who worked on it.  I really enjoyed it! 

I'm going with seasonal landscape art for now, from the DIA.  Here is the second in a short series of autumn works from the collection.  This one has always been a favourite, especially the hazy light of a late afternoon.

 Autumn, ca. 1865.  Homer Dodge Martin, American.  Oil on canvas.  17" x 31".

 Detail of right side.

 Detail of center.

 Detail of left side.  

Mapman Mike